A work in constant progress (and occasional regress).
Release Date:
January 25, 2009
Original Title:
Loving Leah
Alternate Titles:
Un mariage de raison
Genres:
Drama | Romance | TV Movie
Production Companies:
Hallmark Hall of Fame Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 97
When Leah's husband Benjamin dies suddenly, Benjamin's brother Jake is stunned to learn he is expected to marry the childless Leah to carry on his brother's name. Jake suggests to Leah that they get married and maintain a secretly platonic relationship. The harder they try to disguise their "pretend" marriage, the more their appreciation for each other's worlds grow, and out of understanding, a real love develops.
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"A" Camera Operator:
Gábor Kövér
"B" Camera Operator:
Alec Jarnagin
Art Direction:
James C. Feng
Assistant Editor:
Steve Sahagun
Casting:
Lynn Kressel
Casting Associate:
Kevin Kuffa
Co-Executive Producer:
Ricki Lake
Co-Producer:
Cameron Johann
Construction Coordinator:
Glen Pangione
Costume Designer:
Stephanie Maslansky
Director:
Jeff Bleckner
Director of Photography:
Charles Minsky
Editor:
Geoffrey Rowland
Executive Producer:
Michael Besman
Brent Shields
First Assistant Director:
Thomas Fatone
Gaffer:
Ken Shibata
Hairstylist:
Colleen Callaghan
Key Grip:
Gary Martone
Line Producer:
Larry Y. Albucher
Location Manager:
Nathan Gendzier
Makeup Artist:
Sarit Klein
Music Editor:
Joanie Diener
Original Music Composer:
Jeff Beal
Post Production Supervisor:
Pam Fitzgerald
Production Coordinator:
Samantha Kreitzer Dyer
Production Design:
Andrew Jackness
Production Sound Mixer:
Thomas Varga
Production Supervisor:
Shawn McClaren
Property Master:
Sabrina Wright
Script Supervisor:
Melissa Kalbfus
Second Assistant Director:
Patrick D. Gibbons
Set Decoration:
Susan Ogu
Sound Re-Recording Mixer:
Terry O'Bright
Keith Rogers
Sound Supervisor:
Joe Melody
Steadicam Operator:
Alec Jarnagin
Teleplay:
Pnenah Goldstein
Theatre Play:
Pnenah Goldstein
Unit Production Manager:
Daniel Hank
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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