A work in constant progress (and occasional regress).
Release Date:
October 18, 2016
Original Title:
The Green Standard
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 79
In late 2016, state lawmakers formally petitioned the DEA to loosen federal restrictions on cannabis for medical use. Without deliberating, the DEA rejected the petition, maintaining a decades-old prohibition alongside heroin and PCP. Enter THE GREEN STANDARD: a people's account of pot, prejudice, and the fight to end prohibition. Filmed for over a year throughout the US, the film looks at the men, women, and children on all sides of the issue and takes you inside their world of surprising highs and uncomfortable lows. From the refugee families of Colorado seeking treatment for their afflicted children to anti-legalization activists decrying the movement as greed-fueled hype, the film offers an unflinching view on our evolving perceptions of marijuana use, the untold costs of prohibition, and how legalization might (or might not) bring about relief. Moving, informative, and enlightening, THE GREEN STANDARD explores one of the most talked-about yet misunderstood issues in America today.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.