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Prescription for Danger (2018) [N/A]

Release Date:
February 1, 2018

Original Title:
Prescription for Danger

Alternate Titles:
Second Opinion

Genres:
TV Movie | Thriller

Production Companies:
Incendo Productions

Production Countries:
Canada

Ratings / Certifications:
DE: 12 

Runtime: 94

Overview from TheMovieDB

Ivy Fisher is at the top of her game; A whip-smart, devastatingly attractive upstart business owner. She is your typical thirty something, with a stalled personal life and overactive career. But during a crucial investor meeting, Ivy's body begins to fail her. Plagued with an onset of dizziness and a crippling headache, Ivy crashes. Enter Dr. Mark Ryan - a corrupt doctor ready to feed his desire for power, and Ivy is his perfect subject. This rock-hard business woman is now about to confront her mortality. But much to Ivy's shock, she is about to find out that Dr. Ryan, a person she trusts, has the recipe to finally break her.

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Production

Costume Design:
Janet Campbell

Director:
Caroline Labrèche

Director of Photography:
Daniel Villeneuve

Editor:
Benjamin Duffield

Executive Producer:
Jean Bureau

Key Makeup Artist:
Melissa Purino

Music:
James Gelfand
Louise Tremblay

Producer:
Ian Whitehead
Jean Bureau

Production Design:
Jean Bécotte

Script Coordinator:
Rick Cranford

Script Supervisor:
Louise Theriault

Sound Re-Recording Mixer:
Bernard Gariépy Strobl

Stunt Coordinator:
Stéphane Lefebvre

Stunt Double:
Gainaële Royer
Max Laferriere
Julie St-Louis

Supervising Sound Editor:
Michel B. Bordeleau

Writer:
James Taylor Phillips

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.