A work in constant progress (and occasional regress).
Release Date:
December 22, 2010
Original Title:
Les Émotifs anonymes
Alternate Titles:
Ahava ve-Chocolate
Anonyme romantikere
Anonymoi romantikoi
Anonyymit romantikot
Die Anonymen Romantiker
Emotivi anonimi
Franska nerver
Les Motifs Anonymes
Przepis na milosc
Românticos Anónimos
Românticos Anônimos
Tímidos anónimos
Túl sok érzelem
Ανώνυμοι ρομαντικοί
Анонимные романтики
Закоханi невротики
Genres:
Comedy | Drama | Romance
Production Companies:
Auvergne-Rhône-Alpes Cinéma
Climax Films
France 3 Cinéma
Pan-Européenne
RTBF
StudioCanal
Production Countries:
Belgium | France
Ratings / Certifications:
DK: A FR: U
Runtime: 80
What happens when a man and a woman share a common passion? They fall in love. And this is what happens to Jean-René, the boss of a small chocolate factory, and Angélique, a gifted chocolate maker he has just hired. What occurs when a highly emotional man meets a highly emotional woman? They fall in love, and this is what occurs to Jean-René and Angélique who share the same handicap. But being pathologically timid does not make things easy for them. So whether they will manage to get together, join their solitudes and live happily ever after is a guessing matter.
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Associate Producer:
Arlette Zylberberg
Casting:
Tatiana Vialle
Co-Producer:
Olivier Rausin
Costume Design:
Sophie Breton
Nathalie du Roscoat
Director:
Jean-Pierre Améris
Director of Photography:
Gérard Simon
Editor:
Philippe Bourgueil
Key Makeup Artist:
Corinne Maillard
Original Music Composer:
Pierre Adenot
Painter:
Pauline Bouvet
Françoise Rouge
Martina Seeber
Producer:
Nathalie Gastaldo
Philippe Godeau
Production Design:
Sylvie Olivé
Sound:
Jean-Pierre Duret
Sound Re-Recording Mixer:
François Groult
Supervising Producer:
Sebastian Schelenz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.