A work in constant progress (and occasional regress).
Release Date:
September 27, 2019
Original Title:
The Laundromat
Alternate Titles:
A Lavanderia
Die Geldwäscherei
Secrecy World
The Laundromat
Untitled Panama Papers Project
洗钞事务所
洗钱风云
自助洗衣店
Genres:
Comedy | Crime | Drama
Production Companies:
Anonymous Content
Grey Matter Productions
Sugar23
Topic Studios
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AT: 16 AU: MA 15+ BG: D BR: 16 CA: R CH: 16 DE: 16 ES: 12 FI: K-16 FR: 16 GB: 15 HU: 16 IE: 15 IL: 16 IN: A KR: 19 LT: N-16 LU: 16 LV: 16+ MX: C MY: 18SG NL: 16 NZ: R13 PH: R-16 PL: 16 PR: R PT: M/16 RU: 18+ SG: M18 TR: 18+ UA: 16+ US: R VI: R ZA: 16
Runtime: 96
When a widow gets swindled out of insurance money, her search for answers leads to two cunning lawyers in Panama who hide cash for the superrich.
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ADR Mixer:
David Boulton
Chris Navarro
ADR Recordist:
Justine Baker
Additional Second Assistant Director:
Kevin Huie
Jeff Tavani
Kenny Hanson
Christina Lee
Art Department Coordinator:
J.M. Hunter
Sarah Arvanites
Art Department Production Assistant:
Shane Bannon
Art Direction:
J. Mark Harrington
Amie English
James Bolenbaugh
Assistant Art Director:
Elsa Mayuri
Assistant Property Master:
Romain Gateau
Carolyn Lassek
Book:
Jake Bernstein
Boom Operator:
Javier M. Hernández
Casting:
Carmen Cuba
Co-Producer:
Patrick Wade
Cyrus Mojibi
Lawrence Kao
Lloyd Everard
Colorist:
Nat Jencks
Construction Coordinator:
Joe Ondrejko
Costume Design:
Ellen Mirojnick
Dialogue Editor:
Eliza Paley
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Editor:
Steven Soderbergh
Executive In Charge Of Production:
Betsy Megel
Executive Producer:
Ben Everard
Jake Bernstein
Douglas Urbanski
Adam Pincus
Michael Bloom
Michael Polaire
First Assistant Director:
Mike Topoozian
Foley Artist:
Marko Costanzo
Foley Editor:
Billy Theriot
Graphic Designer:
Karen Sori
Philip Young
Greensman:
Todd Baranowski
Hair Department Head:
Yvette Stone
Marie Larkin
Hairstylist:
Sheila Cyphers-Leake
J. Roy Helland
Teresa Morgan
Connie Kallos
Kimberly Carlson
Carol Mitchell
Key Makeup Artist:
John Damiani
Leadman:
Josh Hadley
Makeup Artist:
Jennifer Aspinall
Lygia Orta
J. Roy Helland
Rachel Hoke
Cynthia Hernandez
Makeup Department Head:
Elisa Marsh
Makeup Effects:
Justin Raleigh
Scott Holbert
Makeup Effects Designer:
Michael Ezell
Original Music Composer:
David Holmes
Post Production Supervisor:
Leslie J. Converse
Producer:
Lawrence Grey
Scott Z. Burns
Michael Sugar
Gregory Jacobs
Production Design:
Howard Cummings
Production Supervisor:
Elayne Keratsis
Prop Maker:
Melissa McSorley
William Thoms
Property Master:
Brad Einhorn
Props:
Josue Rodriguez
Renee Heimann
Hannah M. Hinkel
Tommy Ardolino
Prosthetics:
Jonah Levy
Script Supervisor:
Lyn Matsuda Norton
Second Assistant Director:
Tracey Poirier
Set Decoration:
Barbara Munch
Set Decoration Buyer:
Chelsea Mondelli
Jennie Harris
Set Designer:
Billy Schwartz
Masako Masuda
Trinh Vu
Set Dresser:
Billy Sender
Yuri Elvin
Danny Metz
Sound:
Gerard Vernice
Sound Designer:
Larry Blake
Sound Effects:
Eric Potter
Sound Effects Editor:
Michael Gilbert
Sound Mixer:
Dennis Towns
Special Effects Makeup Artist:
Rob Hinderstein
Bart Mixon
Special Effects Supervisor:
Eric Frazier
Special Effects Technician:
Lucas Wimer
Gunter Anderson
Corinne Fortunato
Stunt Coordinator:
Charles Croughwell
Stunts:
Diane Peterson
Clay Cullen
Hannah Betts
Annie Ellis
Katie Rowe
Rick Avery
Eliza Coleman
Debbie Evans
Donna Evans
Jeffrey G. Barnett
Sandra Lee Gimpel
George Fisher
Simon Rhee
Supervising Art Director:
Samantha Avila
Title Designer:
Randall Balsmeyer
Unit Production Manager:
Bart Lipton
Michael Polaire
Visual Effects Art Director:
Joanna Bush
Visual Effects Supervisor:
Robert Stadd
Writer:
Scott Z. Burns
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.