A work in constant progress (and occasional regress).
Release Date:
August 3, 2001
Original Title:
Rush Hour 2
Alternate Titles:
A Hora do Rush 2
Colpo grosso al drago rosso - Rush Hour 2
Godziny szczytu 2
Heure limite 2
Hora de Ponta 2
Hora punta 2
Oră de vârf 2
Rush Hour 2 - Colpo grosso al drago rosso
Rušná hodina 2
Година пік 2
火拼時速2
러시 아워 2
러시아워 2
Genres:
Action | Comedy | Crime
Production Companies:
Arthur Sarkissian Productions
New Line Cinema
Roger Birnbaum Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: 14 AU: M BR: 12 CH: 16 CZ: 12+ DE: 12 DK: 11 ES: 12 FR: 12 GB: 12 GR: 12 HU: 12 IE: 15 KR: 12 PL: 16 SE: 11 US: PG-13
Runtime: 90
It's vacation time for Carter as he finds himself alongside Lee in Hong Kong wishing for more excitement. While Carter wants to party and meet the ladies, Lee is out to track down a Triad gang lord who may be responsible for killing two men at the American Embassy. Things get complicated as the pair stumble onto a counterfeiting plot. The boys are soon up to their necks in fist fights and life-threatening situations. A trip back to the U.S. may provide the answers about the bombing, the counterfeiting, and the true allegiance of sexy customs agent Isabella.
"A" Camera Operator:
J. Michael Muro
"B" Camera Operator:
Mark Davison
ADR Mixer:
Doc Kane
ADR Recordist:
Jeanette Browning
Accounting Clerk Assistant:
Matthew Humphreys
Armorer:
Harry Lu
Art Department Coordinator:
Linda Griffis
Art Direction:
James E. Tocci
Andrew Max Cahn
Assistant Art Director:
Beatriz Kerti
Brandee Dell'Aringa
Assistant Costume Designer:
Maria Tortu
Assistant Location Manager:
James Lin
Assistant Production Coordinator:
Raquel Caballes Maxwell
Assistant Property Master:
Michael R. Gannon
Robert Bleckman
Assistant Sound Editor:
Douglas Parker
Cindy Jo Hinkleman
Rickley W. Dumm
Monique 'Nico' Salvato
Associate Producer:
James M. Freitag
Best Boy Electric:
Tim Marshall
Boom Operator:
Mychal D. Smith
Cableman:
William Munroe
Camera Loader:
Roger Wall
Camera Operator:
Tom Cox
Casting:
Matthew Barry
Nancy Green-Keyes
Characters:
Ross LaManna
Chief Lighting Technician:
Pat Blymyer
Co-Executive Producer:
Leon Dudevoir
Color Timer:
Mike Stanwick
Construction Coordinator:
Bill Holmquist
Costume Design:
Rita Ryack
Costume Supervisor:
Mari Grimaud
Craft Service:
Raymond Bulinski
Dialogue Coach:
Diana C. Weng
Digital Effects Supervisor:
David Lingenfelser
Director:
Brett Ratner
Director of Photography:
Matthew F. Leonetti
Dolly Grip:
Richard L. Carden
Editor:
Mark Helfrich
Robert K. Lambert
Electrician:
Justin Holdsworth
Wayne Marshall
Kenny Schneider
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Carla Fry
Executive Producer:
Toby Emmerich
Andrew Z. Davis
Michael De Luca
First Assistant "A" Camera:
Michael D. Weldon
First Assistant "B" Camera:
Mark Santoni
Lee Blasingame
First Assistant Accountant:
Marybeth Martin-Eck
First Assistant Director:
James M. Freitag
First Assistant Editor:
Laura Steiger
Foley Artist:
John Roesch
Alyson Dee Moore
Foley Mixer:
Mary Jo Lang
Grip:
Mike Simko
Gary C. Beaird Sr.
Hair Department Head:
Voni Hinkle
Hairstylist:
Kim M. Ferry
Robin McWilliams
Paul Anthony Morris
Key Grip:
Jim Shelton
Key Hair Stylist:
Shari Perry
Key Makeup Artist:
Gigi Williams
Leadman:
John A. Scott III
Mike Higelmire
Omar Abderrahman
Location Manager:
Mark B. Johnson
Makeup Artist:
Amy L. Disarro
René Dashiell Kerby
Joanetta Stowers
Makeup Department Head:
Melanie Hughes
Music Editor:
Darrell Hall
Music Supervisor:
Kathy Nelson
Negative Cutter:
Gary Burritt
Original Music Composer:
Lalo Schifrin
Payroll Accountant:
Cindy Nevins
Post Production Supervisor:
Diana Kaufman
Producer:
Roger Birnbaum
Jonathan Glickman
Jay Stern
Arthur M. Sarkissian
Production Accountant:
Rachel E. Prentiss
Production Controller:
Paul Prokop
Production Coordinator:
Jennifer Conroy
Production Design:
Terence Marsh
Property Master:
William A. Petrotta
Rigging Gaffer:
James M. Cox
Rigging Grip:
Rick Pratt
Screenplay:
Jeff Nathanson
Script Supervisor:
Leslie Park
Second Assistant "A" Camera:
Paul Santoni
Second Assistant "B" Camera:
Peter Geraghty
Second Assistant Director:
David Cass Jr.
Jonathan McGarry
Second Unit Director:
Conrad E. Palmisano
Second Unit Director of Photography:
Bing Sokolsky
Set Costumer:
Edward T. Hanley
Mary C. Lane
Mitzi Haralson
Set Decoration:
Lance Lombardo
Rick Simpson
Set Designer:
E.C. Chen
Viva Wang
Mark Poll
Set Dresser:
Marty Angelo
Joy Taylor
Sound Designer:
Tim Chau
Sound Mixer:
Kim H. Ornitz
Sound Re-Recording Mixer:
Andy D'Addario
Tim Chau
Sound Recordist:
Steve Kohler
Special Effects Supervisor:
Andre G. Ellingson
Special Effects Technician:
James Camomile
Steadicam Operator:
J. Michael Muro
Still Photographer:
Peter Sorel
Storyboard Artist:
Mark Vena
Stunt Coordinator:
Conrad E. Palmisano
Eddie Braun
Stunt Double:
Mark Hicks
Michiko Nishiwaki
Stunts:
Mark Hicks
Kenny Endoso
Al Goto
Andy Cheng
Jeannie Epper
Dick Ziker
Daniel W. Barringer
James Lew
Supervising ADR Editor:
Kimberly Harris
Supervising Dialogue Editor:
Jim Brookshire
Supervising Sound Editor:
Kimberly Harris
Nils C. Jensen
Tim Chau
Carmen Hocson Baker
Transportation Captain:
Randy Musselman
Transportation Coordinator:
Ted Moser
Unit Production Manager:
JoAnn Perritano
Unit Publicist:
Guy Adan
Visual Effects Supervisor:
Kevin Lingenfelser
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.