A work in constant progress (and occasional regress).
Release Date:
May 8, 1998
Original Title:
Something to Believe In
Genres:
Drama
Production Companies:
The Grade Company
The Kirch Company
Production Countries:
Germany | United Kingdom
Ratings / Certifications:
N/A
Runtime: 113
Reports of a weeping Madonna in Italy reach Las Vegas, where blackjack dealer Maggie has just learnt she has only weeks to live. With a massive leap of faith she convinces herself that seeing the Madonna with her own eyes could lead to her salvation, and travels to Europe to find it. Hitching through Italy, she meets pianist Mike, who is also en route to what he believes could be a life-changing event - a performance at the Barbarina concert in Naples.
Assistant Director:
Simone Frattari
Dale Dreher
David Larson
Assistant Sound Editor:
David Marcus
Associate Producer:
Howard P. Alston
Claude Nedjar
Marcia Stanton
Boom Operator:
Donald Banks
Camera Operator:
Mike Roberts
Conductor:
Lalo Schifrin
Costume Design:
Evelyn Thompson
Director:
John Hough
Director of Photography:
Tony Pierce-Roberts
Editor:
Peter Tanner
Electrician:
Roberto Bianchi
Executive Producer:
Mario Cotone
Kathleen Conway
First Assistant Director:
Stephen Lofaro
First Assistant Editor:
Bob Mullen
Foley Artist:
Gregg Barbanell
Foley Editor:
Brady Schwartz
Gaffer:
Carlo Vinciguerra
Tommy Finch
Grip:
Patrizio Marra
Hairstylist:
Melissa Thrift
Line Producer:
Stuart Lyons
Makeup Artist:
Marianne Collette
Diana Thomas-Madison
Makeup Department Head:
Jacky Reynal
Music Editor:
Robert Hathaway
Original Music Composer:
Lalo Schifrin
Producer:
Lew Grade
John Hough
Production Design:
Nello Giorgetti
Production Manager:
Attilio Viti
Christian Fuin
Production Sound Mixer:
Ivan Sharrock
Production Supervisor:
Alexander De Grunwald
Property Master:
Tommy Estridge
Set Decoration:
Jerry Adams
Sound Editor:
Greg Conway
Sound Re-Recording Mixer:
Otto Snel
Stunts:
Mauro Balmas
Supervising Sound Editor:
Mike Le Mare
Writer:
John Goldsmith
John Hough
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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