A work in constant progress (and occasional regress).
Release Date:
April 14, 2018
Original Title:
Through the Banks of the Red Cedar
Genres:
Documentary
Production Companies:
Running Water Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 69
In 1963 at Michigan State University, Head Coach Duffy Daugherty chose 23 black men to play on the college team. From this move came legends Gene Washington, Bubba Smith, George Webster and Clinton Jones. Director Maya Washington, Gene Washington’s daughter, charts the legacy of her father’s career and influence, along with the impact the events of 1963 have shown in the present day.
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Assistant Editor:
Ned Thorne
Associate Producer:
Sergio M. Rapu
Camera Operator:
Brandon Deese
Marc Miilu
Chris Peck
Sergio M. Rapu
Kevin Vialva
Maya Washington
Niki Williams
T.C. Worley
Colorist:
Ezra Gold
Consulting Producer:
Selina Lewis Davidson
Craft Service:
Nicole Lapoint
Jason Richard
Mike Ebow
Director:
Maya Washington
Director of Photography:
Thomas Schwingle
Editor:
Anisha Acharya
Bill Kersey
Film Processor:
Thor Anderson
Music:
Matt Koskenmaki
Online Editor:
Ezra Gold
Producer:
Maya Washington
Production Assistant:
Taylor Briese
Nicole Lapoint
Grace Mayer
Hannah Meiklejohn
Kelcy Rolak
Simone Stewart
Sound Editor:
Chris Caesar
Avry Luy
Ian McClintock
Sound Mixer:
Rudy Alvarado
Owen Brafford
Nick Mihalevich
Sound Re-Recording Mixer:
Tom Hambleton
Still Photographer:
Ed Bock
Kelsey Daly
Nicole Lapoint
Maya Washington
Niki Williams
Supervising Sound Editor:
Tom Hambleton
Title Graphics:
Fredd Parr
Anisha Acharya
Writer:
Maya Washington
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.