A work in constant progress (and occasional regress).
Release Date:
October 4, 2019
Original Title:
Good Posture
Genres:
Comedy | Drama
Production Companies:
Looking for Levi Productions
Northern Stories
Talland Films
Two Flowers and a King Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
AU: M GB: 15 IE: 15 NZ: M
Runtime: 92
After breaking up with her boyfriend, Lillian moves in with married couple Julia and Don only to overhear them arguing in the night. The front door slams as Don moves out, and the following days sees Lillian, selfish and irresponsible, having to earn her keep by cooking for Julia, a reclusive, distrustful writer who rarely emerges from her room. Though communicating largely through notes, the odd couple gradually forge a bond and help one another to negotiate the foibles, phobias and obstacles that have long hindered their happiness.
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Art Department Assistant:
Elliot C Thompson
Oliver Alex
Art Direction:
Charlotte Abbott
Assistant Camera:
Jose Vargas
Assistant Costume Designer:
Rebecca Summerfield
Assistant Editor:
Austin Henderson
Assistant Sound Editor:
Olivia Celeste Barry
Associate Producer:
Fabio W. Silva
Best Boy Grip:
Josef Orlandi
Camera Production Assistant:
Jack Berner
Co-Producer:
Ken Farrington
Colorist:
Max Horton
Costume Designer:
Emmanuelle Martin
Digital Compositor:
Bence Varga
Digital Imaging Technician:
Austin Henderson
Digital Intermediate Producer:
Pat Wintersgill
Director:
Dolly Wells
Director of Photography:
Ryan Owen Eddleston
Editor:
Adelina Bichis
Executive Producer:
Dolly Wells
Chris Reed
James Norrie
Bob Portal
First Assistant Camera:
Marco Andre
First Assistant Director:
Mattheau O'Brien
Foley Artist:
Patrick Singer
Kristiana Udre
Foley Editor:
James Matthews
Foley Mixer:
Tanay Nambiar
Gaffer:
J.C. Calubayan
Hair Department Head:
LuAnn Claps
Hairstylist:
Arielle Perez
Key Grip:
Ryan McCluney
Key Hair Stylist:
Alison Wadsworth
Key Makeup Artist:
Alison Wadsworth
Key Set Production Assistant:
Amando Galasso
Line Producer:
Ken Farrington
Location Manager:
Ken Farrington
Makeup Artist:
Arielle Perez
Makeup Department Head:
LuAnn Claps
Music Coordinator:
Adrianna Allenby
Music Supervisor:
Vicki Williams
Online Editor:
Berta Valverde
Natalia Jaeger
Filipe Fernandes
Original Music Composer:
Heather Christian
Post Production Assistant:
Adrianna Allenby
Post Production Supervisor:
Rebecca Davies
Producer:
Jamie Adams
Maggie Monteith
Production Accountant:
Chris Reed
Production Assistant:
Bobby Baumann
Kevin Higgins
Chris Miller
Corey Baglino
Andrew Grossardt
Production Coordinator:
Rhiana Yazzie
Production Supervisor:
Claire Peberdy
Rigging Gaffer:
Josef Orlandi
Script Coordinator:
Alexis Self
Script Supervisor:
Kirsten Kearse
Second Assistant Camera:
Hannah Berg
Second Assistant Director:
Monet Monique Rumford
Sound Designer:
Simon Gershon
Sound Effects Editor:
Fred Myers
Sound Re-Recording Mixer:
Ben Carr
Sound Recordist:
Mark Hinebrook
Still Photographer:
Jeong Park
Supervising Dialogue Editor:
Adrian Furdui
Supervising Sound Editor:
Nick Baldock
Third Assistant Director:
Dan Rosenhanst
Unit Production Manager:
Ken Farrington
Unit Publicist:
Laura Pettitt
VFX Artist:
Maria Poker
Visual Effects Producer:
Lee Watson
Visual Effects Supervisor:
Daniel Waterman
Writer:
Dolly Wells
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.