A work in constant progress (and occasional regress).
Release Date:
July 20, 2018
Original Title:
Extinção
Alternate Titles:
Extinction|çao
Genres:
Documentary | History
Production Companies:
Bikini Films
Lamaland
Mengamuk Films
O Som e a Fúria
Screen Miguel Nabinho
Walla Collective
Production Countries:
Germany | Portugal
Ratings / Certifications:
N/A
Runtime: 83
The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
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Additional Camera:
Salomé Lamas
Assistant Director:
Stanislav Danylyshyn
Book:
Ryszard Kapuściński
Color Grading:
Paulo Américo
Director:
Salomé Lamas
Director of Photography:
Jorge Piquer Rodríguez
Driver:
Alexandru Cuciuc
Editor:
Telmo Churro
Francisco Moreira
Focus Puller:
Salomé Lamas
Foley Artist:
António Porém Pires
Graphic Designer:
Sara Bozzini
Original Music Composer:
Andreia Pinto Correia
Producer:
Cristina Almeida
Fabienne Martinot
Sofia Bénard
Michel Balagué
Eugénio Marques
Ariana Couvinha
Vera Amaro
Tiago Matos
Marcin Malaszczak
Paulo Américo
Miguel Nabinho
Miguel Martins
Luís Urbano
Sandro Aguilar
Salomé Lamas
Production Director:
Stanislav Danylyshyn
Iulia Puica
Production Manager:
Alexandru Cuciuc
Sound Designer:
Miguel Martins
Sound Engineer:
Stanislav Danylyshyn
Salomé Lamas
Sound Mixer:
Miguel Martins
Visual Effects:
Rodolfo Pereira
Writer:
Salomé Lamas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.