A work in constant progress (and occasional regress).
Release Date:
August 19, 2010
Original Title:
La mirada invisible
Genres:
Drama
Production Companies:
Agat Films & Cie / Ex Nihilo
Campo Cine
Factor RH Producciones
Imval Producciones
MMM Film Zimmermann & Co.
Mediagrama
Production Countries:
Argentina | France | Spain
Ratings / Certifications:
AR: 16
Runtime: 97
A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.
Assistant Director Trainee:
Tomás Pernich
Cinematography:
Álvaro Gutiérrez
Co-Producer:
Ignacio Monge
Luis Ángel Ramírez
Rafael Álvarez
Dominique Barneaud
Marc Bordure
Costume Design:
Sandra Fink
Director:
Diego Lerman
Editor:
Alberto Ponce
Film Processor:
Beto Acevedo
First Assistant Director:
Federico Rotstein
Foley Artist:
José E. Caldararo
Francisco Rizzi
Sebastián Sonzogni
Foley Editor:
Bechen de Loredo
Graphic Designer:
Emiliano Konoba
Hairstylist:
Néstor Burgos
Key Grip:
Juan Manuel Muñoz
Location Manager:
Marcelo Martinez
Makeup Artist:
Néstor Burgos
Music:
José Villalobos
Novel:
Martín Kohan
Producer:
Diego Lerman
Nicolás Avruj
Production Design:
Yamila Fontán
Production Manager:
Jimena Monteoliva
Screenplay:
Diego Lerman
Script Supervisor:
Lorena Lisotti
Second Assistant Camera:
Mariano Bonello
Second Assistant Director:
Facundo Españon
Set Dresser:
Laura Guaragna
Sound Designer:
Leandro de Loredo
Sound Effects Editor:
Francisco Pedemonte
Sound Mixer:
Vicente D'Elia
Sound Re-Recording Mixer:
Leandro de Loredo
Aymeric Dupas
Special Effects Coordinator:
Franco Burattini
Visual Effects:
Matías Kamijo
Visual Effects Coordinator:
Georgina Pretto
Visual Effects Designer:
Georgina Pretto
Visual Effects Supervisor:
Ignacio Gorfinkiel
Writer:
María Meira
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.