A work in constant progress (and occasional regress).
Release Date:
June 24, 2017
Original Title:
Die Freibadclique
Genres:
Drama
Production Companies:
ARD Degeto
MDR
MIA Film
NDR
SR
SWR
Zieglerfilm Baden-Baden
Zieglerfilm München
Production Countries:
Czech Republic | Germany
Ratings / Certifications:
DE: 12
Runtime: 105
Summer 1944, Schwäbisch Hall. Contrary to the war propaganda and the decreed heroism, the 16-year-old boys dream of Swing music, sex and freedom - and of Lore, the air force helper from the air base, who attracts all eyes in her red swimsuit. At the same time, uncle, Knuffke, Bubu, tongue kiss and Hosenmacher suspect that they will not escape the horror of the front. "Stay tuned," Lore calls after them. But tongue kiss gets it first and also pants maker will not survive the war.
Animation:
Jessica Franke
Assistant Director:
Angela Tippel
Best Boy Electric:
Vaclav Hrabanek
Camera Operator:
Michael Anlauff
Compositors:
Philipp Bauer
Philipp Bauer
Christopher Kollar
Costume Design:
Mirjam Muschel
Digital Compositors:
Mauricio de Oliveira
Director:
Friedemann Fromm
Director of Photography:
Anton Klima
Editor:
Janina Gerkens
First Assistant Camera:
Anna Baltl
Patrick Plischke
Foley Editor:
Laura Plock
Gaffer:
Jan Borůvka
Makeup Artist:
René Jordan
Makeup Department Head:
Anette Keiser
Music:
Annette Focks
Music Supervisor:
Pia Hoffmann
Novel:
Oliver Storz
Production Design:
Klaus-Peter Platten
Production Manager:
Rolf Wappenschmitt
Property Master:
Maren Eich
Martina Hug
Screenplay:
Friedemann Fromm
Second Assistant Director:
Katrin Sohler
Special Effects:
Jirí Vater
Still Photographer:
Walter Wehner
Supervising Sound Editor:
Marcel Spisak
Third Assistant Director:
Valerie Adamer
Visual Effects Coordinator:
Marco Muñoz
Visual Effects Supervisor:
Frank Kaminski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.