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Punto ciego (2016) [N/A]

Release Date:
March 31, 2016

Original Title:
Punto ciego

Genres:
Drama | Thriller

Production Companies:
Clase B Cine

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 86

Overview from TheMovieDB

Ulises is a young and innovative documentary filmmaker who films from his window. Without a script, pure chance, any corner. He seeks total objectivity and little by little a series of small everyday stories begin to take shape. He is very sure of his idea, but at the same time very close to it. Thus, without knowing it, he is putting the camera where it should not. What if someone else was waiting for those images to put together "another movie" in which Ulysses ended up being responsible for a crime? A story of dense and dreamlike air, of suspense and seduction.

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Additional information:

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Performers

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Production

Art Direction:
Agustina Bianchi

Director:
Martín Basterretche

Director of Photography:
Martín Gamaler

Editor:
Martín Basterretche

Music:
Federico Mizrahi
Fernando Rabih

Producer:
Julio César Ludueña
Martín Basterretche

Sound:
Daniel Ibarrart

Writer:
Esteban Morales
Martín Basterretche

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.