A work in constant progress (and occasional regress).
Release Date:
April 22, 1988
Original Title:
Permanent Record
Alternate Titles:
永久记录
Genres:
Drama
Production Companies:
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 92
David Sinclair seems to have everything going for him: he's smart, musically talented, and very successful. To top off his senior year in high school, his band is trying to get a recording session. Therefore, David's suicide leaves everyone, especially his best friend and bandmate, Chris, with a lot of questions.
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ADR & Dubbing:
Gary Gegan
ADR Editor:
Mary Andrews
Art Direction:
Steve Karatzas
Boom Operator:
Brydon Baker III
Butch Turner
Cableman:
Randall Crocker
Casting:
Amanda Mackey
Construction Coordinator:
Rick Welden
Costume Design:
Tracy Tynan
Dialogue Editor:
Jeff Rosen
Gary Wright
Director:
Marisa Silver
Director of Photography:
Frederick Elmes
Editor:
Robert Brown
Executive Producer:
Marty Hornstein
Foley:
Joan Rowe
Jerry Trent
Gary Gegan
Makeup Artist:
Michelle Bühler
Original Music Composer:
Joe Strummer
Producer:
Frank Mancuso Jr.
Production Design:
Michel Levesque
Production Illustrator:
Michael Sarley
Production Manager:
Eric Heffron
Property Master:
Robert J. Visciglia Sr.
Set Decoration:
Woody Crocker
Set Designer:
Lachlin Loud
Sound Editor:
Randy Vandegrift
Paul M. Wagner
Julia Evershade
Sound Effects Editor:
John Dunn
Julia Evershade
Sound Mixer:
Robert Gravenor
Sound Re-Recording Mixer:
Jeffrey Perkins
Richard Portman
Paul Wells
Special Effects:
Dean W. Miller
Still Photographer:
Melinda Sue Gordon
Stunt Coordinator:
Don Pike
Stunts:
Rick Avery
Mark Edwards
Martin Louis
Diane Peterson
Gary Pike
Supervising Sound Editor:
Kimberly Harris
Dane A. Davis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.