A work in constant progress (and occasional regress).
Release Date:
December 25, 1988
Original Title:
Agila ng Maynila
Alternate Titles:
Aguila ng Maynila
Genres:
Action
Production Companies:
FPJ Productions
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 110
Mauro Reyes is an ex-policeman tag as a sharpshooter to the lawbreaker that managed to cope up with the death of his family and became a rescuer ... In the verge of adversity that has happened to his family, he became so depressed, self-centered and hopeless in lif, until a heinous felony re-awakened his identity. Due to the different rape slays and murders that had arise in their place, he tried to unveil the hidden mystery of the cases... discovering in the end the involvement of the law enforcer in the transgression. Will he be able to resolve everything even if he's an ex-policeman?
Art Direction:
Rolando Sacristia
Assistant Camera:
Fortunato Reyes
Egay Lavarias
Assistant Director:
Berting Labra
Assistant Editor:
Rene Esteba
Assistant Makeup Artist:
Baby Erbale
Director:
Pablo Santiago
Director of Photography:
Ver Reyes
Driver:
Toybet Olavere
Ponso Pagaduan
Domingo Samson
Editor:
Augusto Salvador
Electrician:
Stackard Rilles
Gaffer:
Rene Cajapay
Makeup Artist:
Tinay Manahan
Music Director:
Jaime Fabregas
Producer:
Fernando Poe Jr.
Production Assistant:
Clemente Talimoro
Boy Benoza
Production Design:
Bobby Ariola
Rex Domogma
Production Manager:
Susan V. Tagle
Screenplay:
Pablo S. Gomez
Settings:
Armando Niez
Elias Talimoro
Sound Editor:
Jay Jacinto
Sound Effects:
Jun Martinez
Sound Supervisor:
Rolly Ruta
Cesar Lucas
Special Effects:
Bobby Pineda
Mariano Garcia
Still Photographer:
Diog De Castro
Story:
Fernando Poe Jr.
Leonardo B. Sangalang
Theme Song Performance:
Freddie Aguilar
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.