A work in constant progress (and occasional regress).
Release Date:
May 11, 1999
Original Title:
Callboys - Jede Lust hat ihren Preis
Genres:
Crime | Thriller
Production Companies:
Sat.1
U5 Filmproduktion
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 92
A scary serial killer is around: he cuts off young women's tongues. Commissioner Michelle Eisner notes striking similarities between the three victims so far: They were customers of the "loverboys". Behind this is a callboy ring, which also includes the attractive and inscrutable Lanou. Michelle reluctantly accepts the help of the experienced police psychologist Busch to clarify the case. He is a master at thinking his way into the psyche of the perpetrator. The main suspect for him is call boy Lanou. This suspicion is supported by the tabloid reporter Eva Hellmann, who is also researching the series of murders. While Michelle's environment became more and more vehement on LanousIf arrest is urgent, she is less and less able to evade his erotic charisma.
Associate Producer:
Igor Jelkovski
Best Boy Electric:
Gunter Leber
Casting:
Irmtraud von Verschuer
Director:
Christiane Balthasar
Director of Photography:
Markus Hausen
Editor:
Claudia Wolscht
Editorial Manager:
Igor Jelkovski
Electrician:
Horst Leichner
First Assistant Director:
Ulrike Heller
Gaffer:
Gunnar Seeling
Grip:
Birgit Volk
Line Producer:
Mark Rau
Makeup & Hair:
Stefanie Baumann
Marie-Ena Wolf
Original Music Composer:
Johannes Kobilke
Production Design:
Anette Reuther
Production Driver:
Sebastian Kuhn
Daniel Obitz
Production Manager:
Jochen Hauff
Property Master:
Anja Stöppler
Chloé Pompon Levainville
Second Assistant Camera:
Stephanie Ahlen
Sound:
Kurt Eggmann
Robert Meyer
Sound Mixer:
Michael Kadelbach
Wolfgang Zarges
Still Photographer:
Jacqueline Krause-Burberg
Unit Manager:
Dirk Seidenschnur
Jannis Skalieris
Writer:
Eckehard Ziedrich
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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