A work in constant progress (and occasional regress).
Release Date:
November 8, 2019
Original Title:
The Good Liar
Genres:
Crime
Production Companies:
1000 Eyes
Bron Studios
New Line Cinema
Production Countries:
Canada | United Kingdom | United States of America
Ratings / Certifications:
AT: 12 AU: MA15+ BR: 16 CA: 14A CZ: 18+ DE: 12 DK: 15 ES: 16 FR: 16 GB: 15 HU: 18 IE: 15A JP: G KR: 15세 이상 관람가 PL: 18 PT: M/18 RO: 12 RU: 18+ SE: 15 SG: NC16 SK: 15 US: R
Runtime: 109
Career con man Roy sets his sights on his latest mark: recently widowed Betty, worth millions. And he means to take it all. But as the two draw closer, what should have been another simple swindle takes on the ultimate stakes.
"A" Camera Operator:
Chris Bain
"B" Camera Operator:
Matt Windon
ADR Mixer:
Max Hughes
Aaron Southerland
Milos Stojanovic
Nick Roberts
Armorer:
Adam Goodall
Art Department Assistant:
Anaïs Delpech
Art Direction:
Keely Lanigan-Atkins
Tarnia Nicol
Elaine Kusmishko
Assistant Accountant:
Veronica Barnett
Petra Turonova
Assistant Chief Lighting Technician:
Paul Sharp
Assistant Editor:
Thomas Lane
Assistant Location Manager:
Bryony Preen
Alice Doughty
Patrick Brown
Assistant Production Coordinator:
Evelyn Rooney
Assistant Property Master:
Gary Lock
Assistant Set Decoration:
Scarlett Clifford
Assistant Sound Editor:
Bill Orrico
Alfred DeGrand
Best Boy Grip:
Anthony Benjamin
Boom Operator:
Andrew Rowe
CG Supervisor:
Maxx Wai In Leong
Camera Loader:
Ben Gadsden
Casting Assistant:
Olivia Grant
Catherine Bensley
Casting Associate:
Emily Brockmann
Casting Director:
Lucy Bevan
Choreographer:
Anthony Van Laast
Construction Coordinator:
Kate Selby
Construction Manager:
James Waddingham
Costume Design:
Keith Madden
Costume Supervisor:
Mandy Cole
Susie Lewis
Costumer:
Charlotte Gosden
Alex Conti-Lewis
Janine Marr
Dialogue Editor:
Angela Organ
John Werner
Digital Compositor:
Peter Dudley
Digital Imaging Technician:
Joe Steel
Digital Intermediate Colorist:
Andrew Geary
Digital Intermediate Producer:
Margaret Lewis
Director:
Bill Condon
Director of Photography:
Tobias A. Schliessler
Dolly Grip:
Kevin Fraser
Dean Morris
Draughtsman:
Lawrence Barford
Editor:
Virginia Katz
Executive Producer:
Jack Morrissey
Andrea Johnston
Nick O'Hagan
Jason Cloth
Aaron L. Gilbert
Richard Brener
Anjay Nagpal
Extras Casting:
Tara Keenan
First Assistant "A" Camera:
David Churchyard
First Assistant "B" Camera:
Ian Jackson
First Assistant "C" Camera:
Lorena Pagés
First Assistant Director:
Dan Channing-Williams
First Assistant Editor:
Esther Bailey
Donna Madrigal
Foley Artist:
Shaun Brennan
Foley Editor:
Wen Hsuan Tseng
Gaffer:
Lee Walters
Generator Operator:
Jamie Bruce
Graphic Designer:
Alexa Galea
Hair Designer:
Christine Blundell
Hair Supervisor:
Lesa Warrener
Location Coordinator:
Deborah Nutt
Location Manager:
Benjamin Bailey
James Player
Peter-Frank Dewulf
Makeup & Hair:
Scarlett McPherson
Simone Philcox
Chloe Meddings
Makeup Artist:
Scarlett McPherson
Makeup Designer:
Christine Blundell
Makeup Supervisor:
Lesa Warrener
Music Editor:
Todd Kasow
Novel:
Nicholas Searle
Orchestrator:
Sonny Kompanek
Original Music Composer:
Carter Burwell
Payroll Accountant:
Jordan Brown
Post Production Supervisor:
Catherine Farrell
Producer:
Greg Yolen
Bill Condon
Production Controller:
Gina Hallas
Production Coordinator:
Anneka Coleman
Production Design:
John Stevenson
Production Secretary:
Rebecca S MacLeod
Production Sound Mixer:
John Hayes
Property Master:
Ewan Robertson
Prosthetic Supervisor:
Kristyan Mallett
Rigging Gaffer:
Liam McGill
Screenplay:
Jeffrey Hatcher
Script Supervisor:
Kim Armitage
Second Assistant "A" Camera:
Kat Spencer
Second Assistant "B" Camera:
Daniel Lillie
Second Assistant "C" Camera:
Francesca Catalano Kiddo
Second Assistant Director:
Tom Mulberge
Second Second Assistant Director:
Dominic Channing-Williams
Set Decoration:
Tamsin Clarke
Sound Editor:
Lucas Pimentel
Sound Effects Editor:
Alex Soto
James David Redding III
Neil Benezra
Sound Mixer:
Michael Minkler
Special Effects Technician:
Andy Adam
Steadicam Operator:
Chris Bain
Still Photographer:
Chiabella James
Storyboard Artist:
Tony Chance
Stunt Coordinator:
Roy Taylor
Stunt Double:
Kye Mckee
Robbie Keane
Luke Tumber
Stunts:
Adam Collins
Abbi Collins
Paul Bailey
Matt Da Silva
Jessica Hooker
Theo Morton
Rob Cooper
Guy List
Marcus Shakesheff
Ian Pead
Belinda McGinley
Ben Wright
Tony van Silva
Supervising Art Director:
Vicki Stevenson
Supervising Dialogue Editor:
Brian Bowles
Supervising Sound Editor:
Lewis Goldstein
Third Assistant Director:
Eloise Loach
Transportation Coordinator:
Steve Mitchard
Unit Production Manager:
Nick O'Hagan
Unit Publicist:
Moira Houlihan
Visual Effects Compositor:
Salim Kandulna
Visual Effects Coordinator:
Rachel Elfassy-Bitoun
Visual Effects Editor:
Louis Armistead
Visual Effects Producer:
Kim Menaster
Jan Meade
Visual Effects Supervisor:
Glen Pratt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.