A work in constant progress (and occasional regress).
Release Date:
June 15, 2020
Original Title:
The Bone Box
Genres:
Drama | Horror | Thriller
Production Companies:
Glix Entertainment
Ratings / Certifications:
US: NR
Runtime: 86
Depressed and reeling from the recent death of his wife, Tom has built up quite a gambling debt. He goes to stay with his wealthy Aunt Florence in hopes that she will write him into her will. When a nasty creditor makes it clear that Tom is out of time, he devises a plan with Elodie, the undertaker's daughter, to rob the graves of the rich townspeople buried in the cemetery across the road. After plundering the graves, Tom arrives back at Florence's house and events take a dark turn. Tom begins hearing and seeing strange things that seem to coincide with the deaths of the people he robbed. Even more disconcerting... he appears to be the only one sensing the occurrences. One question lingers: Is Tom's conscience playing a trick on him... or is he really being haunted by those he stole from?
Director:
Luke Genton
Director of Photography:
Gonzalo Digenio
Music:
Richard Albert
Producer:
Luke Genton
Gareth Koorzen
Production Design:
Jade Spiers
Writer:
Luke Genton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.