A work in constant progress (and occasional regress).
Release Date:
December 25, 2000
Original Title:
Dúhenka
Genres:
Family | Fantasy | TV Movie
Production Companies:
Slovenská televízia
Česká televize
Production Countries:
Czech Republic | Slovakia
Ratings / Certifications:
N/A
The Lord of the Springs finds the abandoned infant Pramek and unjustly neglects King Zoran. However, his daughter Dúhenka loves Zoran and becomes his wife despite her father's prohibition. The ruler of the springs becomes angry and deprives Zoran's kingdom of water as punishment. After the birth of her daughter Rosenka, Rainbow decides to sacrifice herself to save the kingdom and returns to the sky. Zoran and his daughter yearn in vain for years to meet Dúhenka. Rosenka grows up, she is fit for marriage, but she has one condition for the suitors: they must obtain rainbow water. But only Pramko can do that. And so the Ruler of the Springs must once again struggle with human emotions, and Rosenka and Pramko face many obstacles before they can convince him of the power of human love.
Assistant Camera:
Martin Žiaran
Assistant Director:
Táňa Filová
Assistant Production Design:
Jozef Šuhajda st.
Camera Operator:
Ľubomír Fülle
Daniel Nosek
Conductor:
Róbert Stankovský
Costume Design:
Ľubica Jarjabková
Costumer:
Iveta Jurenková
Helena Mríšová
Director:
Braňo Mišík
Director of Photography:
Jaroslav Zeman
Dramaturgy:
Magdaléna Glasnerová
Editor:
Štefan Vanek
First Assistant Director:
Miloš Volný
Makeup Artist:
Zuzana Dvorská
Jozef Kanas
Music:
Peter Zagar
Production Manager:
Vladimír Rausch
Screenplay:
Dana Garguláková
Script:
Mária Richterová
Set Decoration:
Vladimír Fraštacký
Set Designer:
Viera Dandová
Short Story:
Blažena Mikšíková
Sound:
Štefan Baroš
Sound Assistant:
Andrej Mihálik
Ladislav Elgyütt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.