A work in constant progress (and occasional regress).
Release Date:
January 27, 2019
Original Title:
High Flying Bird
Alternate Titles:
Magasan szárnyaló madár
Птиця високого польоту
Genres:
Drama
Production Companies:
Extension 765
Harper Road Films
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: M BE: AL BG: D BR: 14 CA: R DE: 12 ES: 12 GB: 15 HU: 16 IE: 15 IL: 16 IN: U/A 16+ KR: 15 LT: N-16 LV: 16+ MX: C MY: 18SG NL: AL NZ: R13 PH: R-16 PL: 16 PR: R RO: 18 RU: 18+ SG: M18 TR: 18+ UA: 16+ US: R VI: R ZA: 13
Runtime: 90
When an NBA lockout sidelines his big rookie client, an agent hatches a bold plan to save their careers -- and disrupt the league's power structure.
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ADR Mixer:
Bobby Johanson
ADR Recordist:
Michael Rivera
ADR Supervisor:
Tricia Schultz
Art Department Assistant:
Christina Brunks
Monica Mayorga
Assistant Location Manager:
Nicholas DeWitt
Assistant Property Master:
Steve Cascarelli
Associate Editor:
Corey Bayes
Associate Producer:
Robert T. Striem
Background Casting Director:
Grant Wilfley
Melissa Braun
Boom Operator:
James B. Appleton
Casting:
Carmen Cuba
Casting Assistant:
Jamie Ember
Casting Associate:
Candice Alustiza-Lee
Sarah Konishi
Co-Producer:
Corey Bayes
H.H. Cooper
Colorist:
Nat Jencks
Compositor:
Irene Park
Bashir Hamid
Costume Design:
Marci Rodgers
Dialogue Editor:
Josh Berger
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Editor:
Steven Soderbergh
Executive Producer:
André Holland
Ken Meyer
First Assistant Accountant:
Ann Caprio
First Assistant Camera:
Troy Sola
First Assistant Director:
H.H. Cooper
First Assistant Editor:
Mae Sussman
Foley Artist:
Leslie Bloome
Joanna Fang
Foley Editor:
Nick Seaman
Laura Heinzinger
Foley Mixer:
Ryan Collison
Gaffer:
Derek Gross
Graphic Designer:
Jessie Leo Poole
Hair Department Head:
LaWanda M. Pierre
Key Grip:
Kevin Smyth
Location Assistant:
Charlie Alberto IV
Vladimir Piverger
Location Coordinator:
Brittany Rostron
Location Manager:
Robert T. Striem
Location Scout:
Ernie Karpeles
Makeup Department Head:
Ngozi Olandu
Musician:
Wrust Bunny
Original Music Composer:
David Wilder Savage
Post Production Supervisor:
Leslie J. Converse
Producer:
Joseph Malloch
Production Accountant:
Sean Hogan
Production Assistant:
Roger L. Rogers II
Reachiny Vitandham
Production Coordinator:
Angie Lee Cobbs
Production Design:
Andy Eklund
Production Secretary:
Daniel Carroll
Production Sound Mixer:
Thomas Varga
Production Supervisor:
David 'Gus' Gustafson
Property Master:
Michael Jortner
Script Supervisor:
Alexandra Torterotot
Second Assistant Director:
Woodrow Travers
Second Second Assistant Director:
George Kotsopoulos
Set Costumer:
Amber Augone
Nailah Cherry
Set Decoration:
Katie Bova
Set Production Assistant:
Monique Shaw
Teéa Loreál
Sean Bredbenner
Sound Effects Editor:
Ian Cymore
Sound Engineer:
Joel Scheuneman
Avi Laniado
Sound Post Production Coordinator:
Kelsea Wigmore
Darrell R. Smith
Sound Re-Recording Mixer:
Glenfield Payne
Josh Berger
Supervising Sound Editor:
Glenfield Payne
Thanks:
Gregory Jacobs
Title Designer:
Emily Suber
Unit Production Manager:
Joseph Malloch
VFX Artist:
Lynn Chlumecky
Visual Effects Producer:
Parker Chehak
Visual Effects Supervisor:
Lesley Robson-Foster
Wardrobe Assistant:
Kira Wang
Ashley Lampkin-Martinez
Wardrobe Supervisor:
Monique C. Medley
Writer:
Tarell Alvin McCraney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.