A work in constant progress (and occasional regress).
Release Date:
October 31, 2018
Original Title:
Raiva
Alternate Titles:
Gnev
O Pão
Rabia
Seara de Vento
Genres:
Drama
Production Companies:
Faux
Les Films d'Ici
RTP
Refinaria Filmes
Production Countries:
Brazil | France | Portugal
Ratings / Certifications:
N/A
Runtime: 85
Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.
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Additional Editor:
Gonçalo Soares
Paulo MilHomens
Boom Operator:
Ricardo Silva
João Gazua
Color Grading:
Paulo Américo
Director:
Sérgio Tréfaut
Director of Photography:
Acácio de Almeida
Editor:
Karen Harley
First Assistant Camera:
Inês Gonçalo
Hugo Azevedo
First Assistant Director:
Ângela Sequeira
Foley Artist:
Sylvie Naudim
Gaffer:
José Manuel Rodrigues
Artur Andrade
Key Grip:
Armando Chourico
Makeup Department Head:
Emmanuelle Fèvre
Novel:
Manuel da Fonseca
Producer:
Carolina Dias
Claire Dornoy
José Barahona
Sérgio Tréfaut
Serge Lalou
Marília Albornoz
Production Coordinator:
Catarina Almeida
Diogo Uva
Manuela Ribas
Production Design:
Miguel Mendes
Fabrice Ziegler
Production Director:
Martin Bertier
Carolina Dias
Screenplay:
Fátima Ribeiro
Sérgio Tréfaut
Script Supervisor:
Paulo Guilherme
Second Assistant Camera:
Juliane Rupar
Second Assistant Director:
Márcio Laranjeira
Sound Designer:
Waldir Xavier
Sound Editor:
Tiago Matos
Ève Corrêa-Guedes
Sound Engineer:
Bruno Tarrière
Olivier Blanc
Sound Mixer:
Bruno Tarrière
Special Effects:
Carlos Almeida
Filipe Pereira
José André
Irmã Lúcia
Steadicam Operator:
Eberhard Schedl
Stunts:
David Chan Cordeiro
Wardrobe Supervisor:
Lidija Kolovrat
Patrícia Dória
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.