A work in constant progress (and occasional regress).
Release Date:
February 17, 2011
Original Title:
House of Shame: Chantal All Night Long
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 93
In this documentary, filmmaker Johanna Jackie Baier tells her story. It begins with Chantal’s escape to Berlin from the confines of a small country town in southwest Germany in 1980. Interweaving interviews and portraits, but also on- and off-stage stories, backstage gossip, copious amounts of music and excerpts from her shows, the film allows Chantal’s story to unfold before a backdrop of recent and very recent history. House of Shame takes us to the squats of Oranienstrasse of the early 1980s; to Martin Kippenberger’s newly founded club ‘SO36’; to the studios of the artists of the ‘Neuen Wilden’ movement, and the epicentre of gay emancipation. The film also takes a look at the lives and deaths of transsexuals. No amount of colourful parades and riotous parties can conceal the fault lines in a personality: a body can thwart everything and lead to apartheid among sex workers, in bars and even in everyday professional life.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.