A work in constant progress (and occasional regress).
Release Date:
March 3, 2010
Original Title:
The Scoundrel
Ratings / Certifications:
N/A
Runtime: 80
Paul arrived in New York at the start of the new millennium with a suit, three shirts and a pack of cigarettes. Citing war and a bad economy as causes, he says he has found it difficult to find a job; he has had no trouble, however, taking advantage of the generosity of friends and strangers. Ousted from his latest apartment onto the wintry streets, he finds himself hopping from bed to bed with a series of lonely and disenchanted city dwellers. THE SCOUNDREL is the story of a few months in the life of one talented and provocative metropolitan import--his days, his nights, his life and loves, the girls (and the boys), the drinks, the conversations, and occasionally, the poetry.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.