A work in constant progress (and occasional regress).
Release Date:
October 21, 2011
Original Title:
Martha Marcy May Marlene
Alternate Titles:
玛莎·玛西·梅·玛琳
迷懵梦寐
Genres:
Drama | Thriller
Production Companies:
BorderLine Films
This is that
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 DE: 16 DK: 15 FR: TP GB: 15 GR: Κ-15 IE: 16 JP: R15+ NL: 16 NO: 15 PT: M/18 SE: 15 US: R
Runtime: 101
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
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Art Direction:
Jonathan Guggenheim
Associate Producer:
Brett Potter
Brian Zeilinger-Goode
Casting:
Susan Shopmaker
Randi Glass
Co-Producer:
Andrew Corkin
Costume Design:
David Tabbert
Digital Intermediate:
Barbara Jean Kearney
Director:
Sean Durkin
Director of Photography:
Jody Lee Lipes
Editor:
Zachary Stuart-Pontier
Executive Producer:
Saemi Kim
Ted Hope
Matt Palmieri
Alexander Schepsman
Saerom Kim
Line Producer:
Melody C. Roscher
Makeup & Hair:
Jessica Kelleher
Original Music Composer:
Danny Bensi
Saunder Jurriaans
Post Production Supervisor:
Susan Lazarus
Producer:
Josh Mond
Chris Maybach
Patrick Cunningham
Antonio Campos
Production Design:
Chad Keith
Production Sound Mixer:
Micah Bloomberg
Script Supervisor:
Zorinah Juan-Lieber
Sound Effects Editor:
Matt Snedecor
Sound Re-Recording Mixer:
Coll Anderson
Still Photographer:
Drew Innis
Supervising Sound Editor:
Coll Anderson
Unit Production Manager:
Garrett P. Fennelly
Writer:
Sean Durkin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.