A work in constant progress (and occasional regress).
Release Date:
March 26, 1981
Original Title:
Aiutami a sognare
Alternate Titles:
Aide-moi à rêver
Ayúdame a soñar
Help Me to Dream
Hjälp mig att drömma
Genres:
Comedy | Music | Romance
Production Companies:
A.M.A. Film
RAI
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 112
In 1943, during the war, Francesca, widowed, moves with her three daughters to her country house, to get away from the bombing of Bologna. In the villa she finds her childhood friends and her old love Guido, who has not forgotten her. Francesca has a passion for everything that comes from America, like music and cinema. She even tells her daughters that her husband who died in the war would actually leave for the USA, where he would live.
Accountant:
Francesca Moneta Guerrieri
Administration:
Raffaello Forti
Assistant Camera:
Giovanni Canfarelli Modica
Assistant Costume Designer:
Luciano Calosso
Assistant Editor:
Piera Gabutti
Vincenza Caruso
Assistant Production Design:
Walter Caprara
Milto Baratella
Boom Operator:
Angelo Amatulli
Choreographer:
Hermes Pan
Costume Design:
Guido Josia
Delegated Producer:
Bruno Voglino
Director:
Pupi Avati
Director of Photography:
Franco Delli Colli
Editor:
Amedeo Salfa
First Assistant Director:
Mario Maffei
Cesare Bastelli
Gaffer:
Michele Pellegrini
Hairstylist:
Paolo Franceschi
Key Grip:
Mario Pizzi
Line Producer:
Giovanni Amadei
Makeup Artist:
Alfredo Marazzi
Alfonso Cioffi
Original Music Composer:
Riz Ortolani
Producer:
Gianni Minervini
Antonio Avati
Production Design:
Guido Josia
Production Manager:
Francesco Guerrieri
Production Secretary:
Rosa Mercurio
Marco Bianchi
Mariano Squillante
Property Master:
Giorgio Baldi
Script Supervisor:
Maria Zola
Seamstress:
Anna Cirilli
Patrizia Lepri
Sound:
Raffaele De Luca
Sound Effects:
Luciano Anzellotti
Massimo Anzellotti
Sound Mixer:
Romano Checcacci
Special Effects:
Giovanni Corridori
Still Photographer:
Roberto Nicosia
Unit Manager:
Alessandro Vivarelli
Writer:
Pupi Avati
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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