A work in constant progress (and occasional regress).
Release Date:
October 11, 2019
Original Title:
The King
Alternate Titles:
El Rey
Král
Genres:
Drama | History | War
Production Companies:
Blue-Tongue Films
Plan B Entertainment
Porchlight Films
Yoki
Production Countries:
Australia | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 ES: 16 FR: 16 HU: 16 IE: 15A JP: R18+ KR: 18 NL: 16 PL: 16 PT: M/16 SG: M18 US: R
Runtime: 140
England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.
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"B" Camera Operator:
Andrew 'A.J.' Johnson
"C" Camera Operator:
Simon Finney
ADR Recordist:
Robert Searl
Simon Diggins
Chris Basta
Tim Ryan
ADR Supervisor:
Leah Katz
Armorer:
Liam Byrne
Art Department Coordinator:
Vicky Ralph
Assistant Costume Designer:
Gabriella Loria
Associate Editor:
Kasra Rassoulzadegan
CG Supervisor:
Ahmed Yousry
Casting:
Des Hamilton
Kata Baranyi
Francine Maisler
Co-Producer:
Anita Overland
David Minkowski
Ildikó Kemény
Costume Designer:
Jane Petrie
Costume Supervisor:
Gabrielle Spanswick
Dialect Coach:
Neil Swain
Director:
David Michôd
Director of Photography:
Adam Arkapaw
Dolby Consultant:
Bruce Emery
Editor:
Peter Sciberras
Executive Producer:
Christina Oh
Fight Choreographer:
Jan Petřina
First Assistant Director:
Steve E. Andrews
Foley Artist:
Mario Vacarro
Foley Editor:
Stuart Morton
Foley Recordist:
Alex Francis
Gaffer:
Jamie Mills
Graphic Designer:
Kellie Waugh
Sarah Pasquali
Key Grip:
Rupert Lloyd-Parry
Key Hair Stylist:
Flora Moody
Ryo Murakawa
Makeup & Hair:
Alessandro Bertolazzi
Music Editor:
John Finklea
Music Supervisor:
Jemma Burns
Original Music Composer:
Nicholas Britell
Original Story:
William Shakespeare
Post Production Supervisor:
Colleen Clarke
Producer:
Jeremy Kleiner
Joel Edgerton
David Michôd
Liz Watts
Brad Pitt
Dede Gardner
Production Design:
Fiona Crombie
Property Master:
Paul Purdy
Colin Mutch
Prosthetic Makeup Artist:
Andrea Kozma
Anna Daniel
Matyas Borda
Hannah Eccleston
Athina Sapanidis
Barbara Kund
Prosthetic Supervisor:
Iván Pohárnok
Scoring Mixer:
Geoff Foster
Thomas Vicari
Screenplay:
David Michôd
Joel Edgerton
Script Supervisor:
Susanna Lenton
Second Assistant Director:
Edoardo Petti
Second Unit Director:
Nash Edgerton
Second Unit Director of Photography:
Jac Fitzgerald
Set Decoration:
Alice Felton
Sound Designer:
Sam Petty
Robert Mackenzie
Sound Effects Editor:
Tara Webb
Mick Boraso
Sound Mixer:
Gareth John
Sound Re-Recording Mixer:
Sam Petty
Robert Mackenzie
Special Effects Supervisor:
Alexander Gunn
Steadicam Operator:
Andrew 'A.J.' Johnson
Still Photographer:
Peter Mountain
Stunt Coordinator:
Jan Petřina
Steve Dent
Levente Lezsák
Stunt Double:
Tamás Farkas
Stunts:
Gergo Daniel
János Henk
Yannick Ben
Supervising Art Director:
Matthew Hywel-Davies
Supervising Sound Editor:
Robert Mackenzie
Title Designer:
Jeremy Saunders
Unit Production Manager:
Peter Nightingale
Unit Publicist:
Sasha Gibson
Video Assist Operator:
Demetri Jagger
Visual Effects Coordinator:
Sammy Shikaze
Kate Elum
Visual Effects Editor:
Semih Ozkoseoglu
Visual Effects Producer:
Lisa Kelly
Edwina Hayes
Alison Wortman
Sara Emack
Visual Effects Supervisor:
Oliver Atherton
Andrew Jackson
Visual Effects Technical Director:
Peter Bowmar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.