A work in constant progress (and occasional regress).
Release Date:
February 6, 2018
Original Title:
Là où les putains n’existent pas
Alternate Titles:
Everything's Better than a Hooker
I Sverige finns inga horor
Where the whores don't exist
Wo Sexarbeiterinnen keine Rechte haben
Genres:
Documentary
Production Companies:
ARTE
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 56
The tragedy of Eva-Marree, deprived of her children for prostitution then killed by their father. In a convincing indictment, director Ovidie denounces the abuse of power by a supposedly protective Swedish state.
Compositor:
Sasha Savic
Director:
Ovidie
Director of Photography:
Ovidie
Corentin Coeplet
Documentation & Support:
Samantha Baugard
Editor:
claude trinquesse
Executive Producer:
Barbara Conforti
Graphic Designer:
Camille Cutaïa
Original Music Composer:
Geoffroy Delacroix
Producer:
Frédérique Pittau
Translator:
lisbeth nilsson
louise nordstrom
maria svensson
Writer:
Ovidie
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.