A work in constant progress (and occasional regress).
Release Date:
June 1, 1986
Original Title:
Fontána pre Zuzanu
Alternate Titles:
Tak ahoj, fontána detstva!
Genres:
Comedy | Drama | Music
Production Companies:
Slovenská filmová tvorba
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 81
The second full-length film of director Dusan Rapos. It was based on Eleonora Gasparova's novel of the same title. The director tells a story about the life and troubles of young people living in the city. The teenagers have to face real life, make their first major decisions, and learn that romance sometimes brings disappointment. The original Slovak music composed for the film by Vaso Patejdl contributed greatly to the film's atmosphere. It helped to make The Fountain for Suzanne a legendary picture of Slovak cinematography at the time.
Art Direction:
Martin Činovský
Assistant Camera:
Jozef Müller
Assistant Director:
Attila Kosík
Assistant Production Design:
Tibor Földes
Camera Operator:
Mikuláš Ricotti ml.
Conductor:
Mario Klemens
Costume Design:
Ľudmila Várossová
Director:
Dušan Rapoš
Director of Photography:
Vladimír Ješina
Dramaturgy:
Jozef Filo
Editor:
Maximilián Remeň
First Assistant Director:
Katalin Jánosy
Gaffer:
Ambróz Serina
Lead Costumer:
Beata Kodajová
Lyricist:
Boris Filan
Makeup Artist:
Anton Gendiar
Music Director:
Ivan Jombík
Peter Smolinský
Jiří Zobač
Novel:
Eleonóra Gašparová
Original Music Composer:
Vašo Patejdl
Production Design:
Miloš Kalina
Production Manager:
Viliam Čánky
Property Master:
Stanislav Možný
Screenplay:
Karol Hlávka
Script:
Eva Dutková
Songs:
Vašo Patejdl
Sound:
Pavol Sásik
Still Photographer:
Dušan Dukát
Story:
Karol Hlávka
Unit Production Manager:
Zuzana Ricottiová
Rudolf Biermann
Mária Strakáčová
Vocals:
Vašo Patejdl
Jožo Ráž
Robo Grigorov
Silvia Slivová
Oľga Záblacká
Eva Wolframová
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.