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Eternal Beauty (2020) [R]

Release Date:
August 21, 2020

Original Title:
Eternal Beauty

Genres:
Comedy | Drama

Production Companies:
Cliff Edge Pictures
Endeavor Content
Ffilm Cymru Wales
Front Row Filmed Entertainment
Samuel Goldwyn Films

Production Countries:
United Kingdom

Ratings / Certifications:
ES: 18  GB: 15  IE: 15  PL: 16  RU: 16+  US: R 

Runtime: 94

Embrace different

Overview from TheMovieDB

When Jane is rejected by life, she spirals into a chaotic, schizophrenic world where love and normality collide with humorous consequences.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Peter Howard

ADR Editor:
Andy Morgan-Davies

ADR Recordist:
Chris Whiteside
James Bowman

Art Direction:
Alison Adams

Assistant Location Manager:
Hefin Rees

Associate Editor:
Mark Keady

Best Boy Electric:
Russ Greening

Camera Trainee:
Thomas Cavagin

Casting Director:
Karen Lindsay-Stewart
Emily Jacobs

Clapper Loader:
Stephanie Kennedy
Cai Thompson

Colorist:
Paul J. Wright

Conductor:
Michael Price

Construction Coordinator:
Matt Wild

Construction Manager:
Gareth Roberts

Costume Design:
Sian Jenkins

Costume Standby:
Verity Finney-Green

Costume Supervisor:
Carrie Wallbank

Costumer:
Rebecca Rom
Marvyn Marques
Helen Rodgers
Bethan Charles
Pam Verran

Dialogue Editor:
Nathan Palmer

Director:
Craig Roberts

Director of Photography:
Kit Fraser

Editor:
Stephen Haren

Electrician:
Craig Shepherd
Scott Youlden
Matt Barklem
Joel Rainsley
David Ozkoidi
Jonathan McLaughlin
Jeremy Middleton
Andrew Evans-Jones
Keith Freeman

Executive Producer:
Adam Partridge
Emma Duffy
Catrin Lewis Defis
Meroë Candy
Pip Broughton
Paul Higgins
Mary Burke
Craig Roberts
Stephen Kelliher
Hilary Davis

First Assistant "B" Camera:
Shirley Schumacher

First Assistant Director:
Heather Jones

First Assistant Editor:
Robbie Gibbon

Floor Runner:
Gwawr Keyworth
Kieran Hayhow

Focus Puller:
Ralph Messer

Foley Artist:
Gareth Rhys Jones

Foley Editor:
Helen Faulkner

Foley Mixer:
Jamie Talbutt

Gaffer:
Mark Holownia

Grip:
Ed Lancaster
Sion Woodman

Hair Designer:
Samantha Kininmonth

Key Grip:
Ron Nicholls

Line Producer:
Catrin Lewis Defis

Location Manager:
Tom Guy

Makeup Artist:
Catrin Williams
Paula Mann
Madaleine Bassett
Kelsey James
Rupert Simon
Elen Thomas
Heulwen Evan
Ashleigh Fulgoni

Makeup Designer:
Samantha Kininmonth

Makeup Supervisor:
Liz Arklie

Makeup Trainee:
Jasmin Lawry

Music Supervisor:
Gary Welch

Orchestrator:
Anthony Weeden

Original Music Composer:
Michael Price

Post Production Supervisor:
Jackie Vance

Producer:
Adrian Bate

Production Accountant:
Sue Valenton

Production Coordinator:
Victoria Wheel

Production Design:
Tim Dickel

Production Manager:
Ceri Hughes

Production Secretary:
Kyra Iris Taylor

Property Master:
Jim Mate

Props:
Sam Crowley
Daniel Dickel

Publicist:
Zoe Flower

Script Supervisor:
Wendy Gruffydd

Second Assistant "B" Camera:
Steve Brooke Smith

Second Assistant Director:
Rhun Llewelyn

Sound Assistant:
Dominic Harrison

Sound Re-Recording Mixer:
Paul McFadden

Sound Recordist:
Malcolm Cromie

Standby Art Director:
Carys Beard

Steadicam Operator:
Matt Allsop

Still Photographer:
Kit Fraser
Aimee Spinks
Laurie Sparham
Alex Bailey

Stunt Coordinator:
Marcus Shakesheff

Stunt Double:
Edd Osmond

Supervising Sound Editor:
Doug Sinclair
Jon Salmon-Joyce

Third Assistant Director:
Natalia Alexeeva

Unit Manager:
Kirstie Evans

Unit Medic:
Amanda Herbert

Visual Effects:
Oanis Rawbone
Yannis Valkaniotis

Writer:
Craig Roberts

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.