A work in constant progress (and occasional regress).
Release Date:
March 10, 2018
Original Title:
Love, Once and Always
Alternate Titles:
Il mio amico passato e futuro
Спасение поместья
Genres:
Drama | TV Movie
Production Companies:
Hallmark Media
Two 4 The Money Media
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
When Lucy’s childhood sweetheart plans to tear down the Gilded Age estate and replace it with a golf course, Lucy fights to preserve the historic mansion at all costs. As Lucy and Duncan set out to find a compromise, they learn that embracing the past may be the key to protecting the future.
"A" Camera Operator:
Vlad Horodinca
"B" Camera Operator:
Andrew Thompson
Art Direction:
Fraser Hagen
Assistant Costume Designer:
Nadia DiMofte
Ashley Nicol
Assistant Editor:
Revan P. Caluya
Assistant Hairstylist:
Lorna Bravo
Assistant Location Manager:
Victor Sanchez
Assistant Makeup Artist:
Tia Martin
Assistant Production Coordinator:
Ellen MacDonald
Assistant Property Master:
Tina Rahn
Assistant Set Decoration:
Rebecca Sjonger
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Patrick Shaw
Best Boy Grip:
Bryceton Cote
Boom Operator:
Tony Poulsen
Casting Assistant:
Ciarra Cook
Brianna Bowerman
Casting Director:
Judy Lee
Colorist:
Lorne Wright
Costume Designer:
Mary Wiseman
Costume Set Supervisor:
Sierra Kretlow
Craft Service:
Lisa Ahlers
Dialogue Editor:
Aaron Olson
Digital Imaging Technician:
Jonathan Yip
Director:
Allan Harmon
Director of Photography:
Vlad Horodinca
Ronald Richard
Dolly Grip:
Taylor Nash
Editor:
Richard Schwadel
Executive Producer:
Ivan Hayden
Kim Arnott
Extras Casting:
Sara Brown
Extras Casting Assistant:
Rachel Klinosky
First Assistant "A" Camera:
Terry Garnett
First Assistant "B" Camera:
Greg Nicod
First Assistant Director:
Mellanie Siteman
First Assistant Editor:
Cindy Au Young
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Jesse D.E. Young
Generator Operator:
Craig Forsberg
Grip:
Blake Mattson
Lucas Margetson
Ben Purych
Key Grip:
Carey Feehan
Key Hair Stylist:
Shelly Jensen
Key Makeup Artist:
Amber Makar
Lead Set Dresser:
Lou Johnson
Music Coordinator:
Francesca Cammarata
Music Supervisor:
Valerie Biggin
Online Editor:
Lorne Wright
Original Music Composer:
James Jandrisch
Payroll Accountant:
Heather Trimble
Post Production Coordinator:
Saskia Werner
Producer:
John Prince
Production Accountant:
Kathy Eyre Candiago
Production Coordinator:
Ted Emerson
Production Design:
Paul McCulloch
Production Manager:
John Prince
Property Master:
Andy Nieman
Props:
Stacey Caldwell
Script Coordinator:
Matthew Willis
Script Supervisor:
Julie Webster
Second Assistant "A" Camera:
Dan Funk
Second Assistant "B" Camera:
Randy Meehan
Second Assistant Director:
Dawn Charette
Set Decorating Coordinator:
Stephanie Pink
Set Decoration:
Gail Luining
Set Dresser:
Sarah Lennon
Jordan Cassidy
Iain Lindsay
Sound Designer:
Jeff Jackman
Sound Mixer:
James Schoening
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Greg Stewart
Special Effects Coordinator:
Kyle T. Moore
Supervising Producer:
Dawn Knight
Teleplay:
Sydney Sidner
Brian Sawyer
Third Assistant Director:
Alecia Maslechko
Transportation Captain:
Melodie Hardy
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Hannah Tucker Wilson
Writer:
Gregg Rossen
Susan Batten
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.