A work in constant progress (and occasional regress).
Release Date:
May 30, 2018
Original Title:
211
Genres:
Action | Crime | Thriller
Production Companies:
211 Productions
Millennium Media
Nu Image Bulgaria
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 16 ES: 18 GB: 15 IL: הותר לבני 14 ומעלה JP: R15+ NL: 16 US: R
Runtime: 86
Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men.
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ADR Mixer:
Patrick Christensen
Vedat Kiyici
ADR Recordist:
Paul Riechman
Wouter van Herwerden
ADR Voice Casting:
Mark Sussman
Additional Photography:
Geo Ivanov
Armorer:
Borislav Pekin
Art Department Coordinator:
Dobrinka Stamenkova
Assistant Camera:
Veselin Dimchov Hristov
Assistant Editor:
Pascal De Maria
Assistant Set Decoration:
Asen Bozilov
Boom Operator:
Krasimir Shtabekov
Camera Operator:
Ivo Peitchev
Georgi Raykov
Carpenter:
Peter Krumov
Casting:
Luke Cousins
Casting Assistant:
Preslava Hristova
Co-Executive Producer:
Lonnie Ramati
Co-Producer:
Gisella Marengo
Alain Jakubowicz
Costume Design:
Anna Gelinova
Costumer:
Rosen Georgiev Georgiev
Digital Intermediate Colorist:
Svetoslav Mateev
Director:
York Alec Shackleton
Director of Photography:
Alexander Krumov
Drone Cinematographer:
Iva Slavova
Drone Pilot:
Dimitar Krustev
Editor:
Ivan Todorov Ivanov
Epk Camera Operator:
Roman Pessarov
Executive Producer:
John Thompson
Boaz Davidson
Scott Karp
Trevor Short
Avi Lerner
Extras Casting:
Hrista Ilieva
First Assistant "A" Camera:
Angel Balakchiyski
First Assistant Director:
Vessela Bannzurkova
First Assistant Editor:
Nedelko Tudzharov
Foley Artist:
Tapio Liukkonen
Gaffer:
Yavor Zahariev
Graphic Designer:
Elena Georgieva
Key Grip:
Danail Vuchkov
Line Producer:
Peter Mechkoff
Location Manager:
Stefan Mutafchiev
Nasko Vulev
Original Music Composer:
Frederik Wiedmann
Post Production Supervisor:
Brian Hayashi
Producer:
Isaac Florentine
Jeffrey Greenstein
Les Weldon
Jonathan Yunger
Production Coordinator:
Shiri Lerner
Violeta Piperevska
Production Design:
Kess Bonnet
Production Supervisor:
Brian Hayashi
Screenplay:
John Rebus
Script Supervisor:
Maria Djidrova
Milena Mihaylova
Sculptor:
Ivan Radev
Second Assistant "A" Camera:
Konstantin Vasilev
Second Unit Director of Photography:
Ivan Vatsov
Set Costumer:
Georgi Petrov Yakimov
Marina Proykova
Set Decoration:
Arta Tozzi
Set Designer:
Nikolai Nikolov
Sound Designer:
Ryan Nowak
Sound Effects Editor:
Daniel Ivanov
Sound Mixer:
Pierre-Yves Lavoué
Sound Recordist:
Tapio Liukkonen
Special Effects Coordinator:
Elena Zhekova
Special Effects Supervisor:
Ivo Jivkov
Special Effects Technician:
Tsvetan Miladinov
Story:
York Alec Shackleton
Storyboard Artist:
Zhivko Zhelyazkov
Stunt Coordinator:
Teodor Tzolov
Dian Hristov
Stunt Double:
Dessy Slavova
Ivailo Dimitrov
Stunts:
Dessy Slavova
Stilyan Mavrov
Zahari Grozdanov
Georgi Manchev
Genko Ivanov
François Coetzer
Supervising Sound Editor:
Kris Casavant
Video Assist Operator:
Stefan Filipov
Visual Effects Coordinator:
Vanya Benelinova
Svetoslav Mitev
Desislava Pavlova
Visual Effects Editor:
Nevena Dragoshinova
Nikolay Pachov
Visual Effects Supervisor:
Aleksander Aleksiev
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.