A work in constant progress (and occasional regress).
Release Date:
January 15, 2018
Original Title:
Demain, tous myopes ?
Alternate Titles:
Generation kurzsichtig
The Myopia Boom
Η επέλαση της μυωπίας
Genres:
Documentary
Production Companies:
ARTE
Scientifilms
Production Countries:
France
Ratings / Certifications:
DE: 6 FR: 10
Runtime: 52
Short-sightedness is reaching epidemic proportions. Some scientists think they have found a reason why. East Asia has been gripped by an unprecedented rise in myopia. Today, up to 90% of Chinese teenagers and young adults are short-sighted. Other parts of the world have also seen a dramatic increase in the condition, which now affects around half of young adults in the USA and Europe. By some estimates, the world may count nearly half a billion of blind people in 2050. In severe cases, the deformation of the eyeball increases the risk of retinal detachment, cataracts, glaucoma and even blindness. About one-fifth of university-aged people in East Asia now have this extreme form of myopia, and half of them are expected to develop irreversible vision loss. This threat has prompted a rise in research to try to understand the causes of the disorder — and scientists are beginning to find answers…
Administration:
Théodora Lejeune
Director:
Christophe Kilian
Editor:
Serge Turquier
Dove Belhassen
Executive Producer:
Valérie Rosselini
Mixing Engineer:
Christophe Millet
Original Music Composer:
Irving Acao
Post-Production Manager:
Antony Noyelle
Producer:
Fabrice Papillon
Production Accountant:
Jeanne Lachèze
Scenario Writer:
Christophe Kilian
Fabrice Papillon
Sound:
Olivier Raffet
Pierre Grillot
Gilles Féron
Christophe Kilian
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.