A work in constant progress (and occasional regress).
Release Date:
April 5, 2000
Original Title:
La Fidélité
Alternate Titles:
Fidelity - Die Treue der Frauen
La Fidelité
La Fidélité
La fidelidad
忠贞
Genres:
Drama
Production Companies:
Canal+
France 3 Cinéma
Gemini Films
Madragoa Filmes
Production Countries:
France | Portugal
Ratings / Certifications:
DE: 16 KR: 18
Runtime: 166
A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.
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ADR Supervisor:
Michel Filippi
Assistant Director:
Christophe Cheysson
Thierry Guézou
Sophie Berger Forestier
Assistant Editor:
Magalie Tate
Casting:
Richard Rousseau
Color Timer:
Christian Dutac
Costume Design:
Caroline de Vivaise
Director:
Andrzej Żuławski
Director of Photography:
Patrick Blossier
Editor:
Marie-Sophie Dubus
First Assistant Camera:
Jérôme Alméras
Foley Artist:
Pascal Mazière
Grip:
Stéphane Birzin
Hairstylist:
Ghislaine Tortereau
Key Grip:
Yves Vandersmissen
Makeup Artist:
Fabienne Robineau
Sylvie Greco
Nurith Barkan
Novel:
Madame de La Fayette
Original Music Composer:
Andrzej Korzyński
Post-Production Manager:
Élisabeth Bocquet
Marielle Duigou
Producer:
Paulo Branco
Production Design:
Jean-Vincent Puzos
Production Manager:
Oury Milshtein
Didier de Keyser
Script Supervisor:
Barbara Constantine
Sound Editor:
Reine Wekstein
Sound Engineer:
Pierre Gamet
Sound Mixer:
Gérard Rousseau
Special Effects Supervisor:
Philippe Hubin
Steadicam Operator:
Adam Rozanski
Still Photographer:
Philippe Serieys
Stunt Coordinator:
Roland Neunreuther
Gilles Conseil
Stunts:
Frédéric Vallet
Unit Manager:
Yorick Kalbache
Visual Effects Producer:
Luc Augereau
Visual Effects Supervisor:
François Vagnon
Writer:
Andrzej Żuławski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.