A work in constant progress (and occasional regress).
Release Date:
July 17, 1996
Original Title:
Walking and Talking
Genres:
Comedy | Drama | Romance
Production Companies:
Channel Four Films
Electric Pictures
Good Machine
Mikado Film
Pandora Film
TEAM Communications Group
Zenith Entertainment
Production Countries:
Germany | Italy | United Kingdom | United States of America
Ratings / Certifications:
US: R
Runtime: 86
Just as Amelia thinks she's over her anxiety and insecurity, her best friend announces her engagement, bringing her anxiety and insecurity right back.
ADR Editor:
Marc S. Shaw
ADR Recordist:
Steve Silkensen
Art Department Coordinator:
Tina Conroy
Art Direction:
Roswell Hamrick
Assistant Accountant:
John Chamberlin
Assistant Editor:
David Frankel
Assistant Location Manager:
Christine Welker
Assistant Makeup Artist:
Renee Moy-Franka
Assistant Production Coordinator:
Libby Richman
Assistant Sound Editor:
Melissa Zaroff
Gisburg Smialek
Best Boy Electric:
Pamela Weese
Best Boy Grip:
Michael 'Rodi' Rodia
Boom Operator:
Betsy Nagler
Camera Intern:
Darcy Dennett
Casting:
Avy Kaufman
Casting Assistant:
Julie Lichter
Color Timer:
Dave Pultz
Costume Design:
Edi Giguere
Craft Service:
Katie McQuerrey
Dialogue Editor:
Jonathan Duckett
Director:
Nicole Holofcener
Director of Photography:
Michael Spiller
Editor:
Alisa Lepselter
Electrician:
Joe Stubblefield
Executive Producer:
Dorothy Berwin
Scott Meek
Extras Casting:
Cyndi Brenner
First Assistant Camera:
Robert Featherstone
First Assistant Director:
Richard Greenberg
Foley Artist:
Linda Russo
Foley Editor:
Bruce Kitzmeyer
Foley Recordist:
Andy Kris
Gaffer:
Frank Stubblefield
Grip:
David Feldman
Key Grip:
Nat Russell
Leadman:
Charles Winters
Location Manager:
Andy Clark
Makeup Artist:
Nicki Ledermann
Music:
Billy Bragg
Music Editor:
Joe Lisanti
Music Supervisor:
Carol Sue Baker
William Ewart
Negative Cutter:
Noƫlle Penraat
Post Production Accountant:
Joyce Hsieh
Post Production Coordinator:
Mary Jane Skalski
Peter Metsopoulos
Post Production Supervisor:
Kelly Miller
Producer:
Ted Hope
James Schamus
Production Coordinator:
William Perkins
Production Design:
Anne Stuhler
Production Manager:
Victoria McGarry
Production Sound Mixer:
David Powers
Property Master:
Thomas B. Grimes
Props:
Richard Bonner
Scenic Artist:
Avery S. Brandon
Script Supervisor:
Sheila Waldron
Seamstress:
Nancy Plominski
Second Assistant Camera:
Noah David Smith
Second Assistant Director:
Adam Escott
Second Second Assistant Director:
Linda Perkins
Set Dresser:
Michael Kucmeroski
Sound Effects Editor:
Barbara Parks
Sound Re-Recording Mixer:
David Novack
Still Photographer:
Benjamin Allanoff
Marty Granger
Mitsuru Komori
Manuel Cuotemoc Malle
Andreas Rentsch
Ann Ruark
Supervising Sound Editor:
Steve Borne
Transportation Captain:
Gary Mahr
Unit Manager:
Jake Myers
Unit Publicist:
Alex Panagakis
Wardrobe Intern:
Sharon Cohn
Jane Lukasbok
Karen Rudd
Wardrobe Supervisor:
Melaine D. Lewison
Writer:
Nicole Holofcener
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.