A work in constant progress (and occasional regress).
Release Date:
May 5, 2018
Original Title:
Breaking In
Alternate Titles:
EFFRACTION
브레이킹 인
Genres:
Action | Crime | Thriller
Production Companies:
Breaking In Pictures
Will Packer Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 DK: 15 ES: 12 FR: 16 IE: 15 NL: 16 RO: 15 US: PG-13
Runtime: 88
Shaun Russell takes her son and daughter on a weekend getaway to her late father's secluded, high-tech vacation home in the countryside. The family soon gets an unwelcome surprise when four men break into the house to find hidden money. After managing to escape, Shaun must now figure out a way to turn the tables on the desperate thieves and save her captive children.
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ADR Editor:
Jeffrey Roy
ADR Voice Casting:
Mark Sussman
Patty Connolly
Additional Editor:
Rob Bonz
Art Department Coordinator:
Matthew Klekner
Art Direction:
Michael Budge
Assistant Camera:
Verlon Allen III
Best Boy Electric:
Pez Zee
Best Boy Grip:
Andreana Davies
Boom Operator:
Kurt Peterson
Camera Operator:
Myron Parran
Casting:
Nancy Nayor
Casting Associate:
Katie Piel
Color Timer:
John St. Laurent
Construction Coordinator:
Vincent DeSantis
Costume Design:
Jason Sky Bland
Digital Intermediate Colorist:
Doug Delaney
Digital Intermediate Editor:
Mark Sahagun
Director:
James McTeigue
Director of Photography:
Toby Oliver
Drone Operator:
Dexter Kennedy
Editor:
Joseph Jett Sally
Electrician:
Tyler Manning
Executive Producer:
Jaime Primak Sullivan
Valerie Bleth Sharp
Jeff Morrone
Extras Casting:
Brandi S. Hawkins
Fight Choreographer:
Tim Connolly
First Assistant "A" Camera:
Brian Udoff
First Assistant "B" Camera:
Christine Hodinh
First Assistant Director:
Aldric La'Auli Porter
Foley Editor:
Adrian Medhurst
Niels Gabriels
Foley Mixer:
Ryan Squires
Gaffer:
Jose Aguirre
Hair Department Head:
Andre Dubois
Hairstylist:
Jacklin Masteran
Key Grip:
Alexander Griffiths
Key Hair Stylist:
Wankaya Hinkon
Key Makeup Artist:
Malika James
Lighting Technician:
Aaron Pong
Silas Robinson
Location Manager:
Michael Haro
Location Scout:
Kei Rowan-Young
Makeup Artist:
Samantha Louise
Makeup Department Head:
Adam Brandy
Music:
Johnny Klimek
Music Editor:
Brett Pierce
Music Programmer:
Hans Hafner
Producer:
James Lopez
Gabrielle Union
Sheila Taylor
Craig Perry
Will Packer
Production Coordinator:
Jason Salzman
Production Design:
Cece Destefano
Propmaker:
Daniel Columbie
Script Supervisor:
Jan McWilliams
Second Assistant "A" Camera:
Geoffrey Waters
Second Assistant Director:
Lillian Awa
Bryan Boardley
Set Decoration:
Lisa Alkofer
Set Dresser:
Raul Ortiz
Andre Rivera
Sound Effects Editor:
Duncan Campbell
Tom Heuzenroeder
Paul Pirola
Sound Mixer:
Chris Giles
Sound Re-Recording Mixer:
Greg Orloff
Steadicam Operator:
Damian Church
Still Photographer:
D. Stevens
Paul Sarkis
Hilary Bronwyn Gayle
Story:
Jaime Primak Sullivan
Storyboard:
Sam Tung
Stunt Coordinator:
Ashlen Aquila
Stunts:
Jénel Stevens
Caine Sinclair
Craig Frosty Silva
Alina Andrei
Lance Jemison
Crystal Michelle
Supervising Sound Editor:
Will Riley
Erin Oakley
Sean McCormack
Visual Effects:
Kondareddy Suresh
Visual Effects Producer:
Raoul Bolognini
Abhishek More
Visual Effects Supervisor:
Lance Ranzer
Writer:
Ryan Engle
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.