A work in constant progress (and occasional regress).
Release Date:
November 1, 2003
Original Title:
Episode 1
Genres:
Documentary
Production Countries:
Netherlands
Ratings / Certifications:
N/A
Episode 1 is the registration of Renzo Martens' activities in Chechnya. He penetrates the war-zone —alone, illegal and carrying a Hi8 camera- and takes on the role of the single most important actor in war: that of the ubiquitous, yet forever undefined, television viewer for whose attention the battles are being fought. Amidst ruins and bombings, he does not ask refugees, UN employees and rebels how they feel. Those stories are well known, and serve no purpose for those who tell them. Instead, he asks them how they think he feels. The film forms a metaphor for an economy of images, roles and emotions. At the same time, there Martens stands, alone, with his camera, recording. The film is not about some external phenomenon, but about the terms and conditions of its own existence.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.