A work in constant progress (and occasional regress).
Release Date:
September 24, 2011
Original Title:
No More Shall We Part
Genres:
Drama
Production Companies:
Factotum Films
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 25
Canada, 1840's. A small cottage sits alone in the mountains, dwarfed by the surrounding landscape. It's inhabitants, a humble married couple who have been driven from their home country of Scotland during the Highland Clearances, have fallen on desperate times. Driven to the edge and in isolation, Henry, a man with an unshakable devotion to his wife and God, struggles to maintain routine in the face of sheer desperation, until an unexpected arrival threatens to shatter his world completely. No More Shall We Part examines the lengths that we will go to in order to preserve the love of another in the face of adversity, weaving a beautiful, brooding tale of one man's struggle against the wilderness and his own psyche.
Cinematography:
Hákon Pálsson
Co-Producer:
Tim Courtney
Duncan Leishman
Shaun Hughes
Caroline Smith
Director:
Shaun Hughes
Editor:
Shaun Hughes
Music:
Tim Courtney
Producer:
Joseph Atkinson
Bianca Herold
Writer:
Shaun Hughes
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.