A work in constant progress (and occasional regress).
Release Date:
November 21, 2003
Original Title:
Gothika
Alternate Titles:
En compañía del miedo
En compañía del miedo... espíritus ocultos
Gotika
Hotyka
歌茜卡
Genres:
Horror | Mystery | Thriller
Production Companies:
Dark Castle Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BE: 16 BG: C BR: 16 CH: 16 CZ: 15+ DE: 16 DK: 15 FI: K-16 FR: 12|16 GB: 15 HU: 18 IE: 18 KR: 15 NL: 16 NO: 15 PL: 18 PT: M/16 SE: 15 US: R
Runtime: 98
After a car crash, criminal psychologist Dr. Miranda Grey regains consciousness only to find that she's a patient in the same mental institution that currently employs her. She's been accused of murdering her husband Dr. Douglas Grey —but she has no memory of committing the crime. As she tries to regain her memory and convince her co-worker, Dr. Pete Graham, of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.
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ADR Editor:
Denise Horta
ADR Mixer:
Troy Porter
ADR Recordist:
Henry Godding Jr.
ADR Supervisor:
Juno J. Ellis
Additional Camera:
Sylvaine Dufaux
Additional Music:
Lior Rosner
Additional Sound Re-Recording Mixer:
Marshall Garlington
Additional Third Assistant Director:
Charles-André Bertrand
Ager/Dyer:
Valerie Bordeleau
Art Department Coordinator:
Natacha Antiglio
Art Direction:
Isabelle Guay
Assistant Accountant:
Gilles Montreuil
Assistant Art Director:
Nicolas Lepage
Assistant Camera:
Isabelle Lecompte
Assistant Costume Designer:
Peggy Schnitzer
Assistant Craft Service:
Yannick Champagne
Assistant Editor:
Christopher Hills-Wright
Assistant Makeup Artist:
Lizane La Salle
Assistant Production Manager:
Paula Jensen
Assistant Property Master:
André Valade
Assistant Sound Editor:
Del Martin
Assistant Unit Manager:
Denis Lemieux
Associate Producer:
Adam Kuhn
Best Boy Electric:
Christopher Kiso
Best Boy Grip:
David Dinel
Boom Operator:
Maxime Ferland
Camera Operator:
François Daignault
Casting:
Marci Liroff
Casting Assistant:
Shawn Roberts
Gabriel Lavina
Casting Associate:
Jamie Sparer Roberts
Co-Producer:
Richard Mirisch
Melina Kevorkian
Color Timer:
Dale E. Grahn
Colorist:
Nicolae Ilies
Compositing Artist:
Christopher Grandel
Construction Coordinator:
Michel Brochu
Costume Design:
Kym Barrett
Costume Supervisor:
Lisa Lovaas
Costumer:
Hélène Bélanger
Decorator:
Daniel Hamelin
Dialogue Editor:
Gloria D'Alessandro
Digital Compositors:
Votch Levi
Digital Effects Supervisor:
Danny Braet
Digital Intermediate Colorist:
Jill Bogdanowicz
Director:
Mathieu Kassovitz
Director of Photography:
Matthew Libatique
Dolly Grip:
Pierre Charpentier
Driver:
Bertrand Calmeau
Editor:
Yannick Kergoat
Electrician:
Yves Arseneau
Executive In Charge Of Post Production:
Daniel R. Chavez
Executive Producer:
Steve Richards
Don Carmody
Gary Ungar
Extras Casting:
Leslie Roycroft
First Assistant Camera:
Claude Beauchamp
First Assistant Director:
Jim Kaufman
First Assistant Editor:
Harold Parker
Olivier Gourlay
First Assistant Sound Editor:
Christopher Alba
Foley Artist:
Alyson Dee Moore
Foley Editor:
Ed Callahan
Foley Supervisor:
Valerie Davidson
Gaffer:
Bernard Arseneau
Generator Operator:
Stephane Boisvert
Graphic Designer:
Carl Lessard
Grip:
Jean-Yves Denis
Hairstylist:
Anne-Marie Lanza
Head of Research:
Timur 'Taron' Baysal
Key Dresser:
Catherine Gélinas
Key Grip:
Kenneth MacKenzie
Key Hair Stylist:
André Duval
Key Makeup Artist:
Louise Mignault
Key Rigging Grip:
Martin St-Antoine
Key Set Production Assistant:
Karim El Fassi
Lighting Technician:
Daniel Dallaire
Line Producer:
Jefferson Richard
Loader:
Soupharak Keoborakoth
Local Casting:
Andrea Kenyon
Location Manager:
Dominique Leroutier
Makeup Artist:
Camille Belanger
Makeup Effects:
Erik Gosselin
Music Editor:
Amanda Goodpaster
Musician:
Bart Samolis
Negative Cutter:
Mo Henry
Orchestrator:
Damon Intrabartolo
Original Music Composer:
John Ottman
Payroll Accountant:
Valérie Lapierre
Post Production Supervisor:
Adam Avery
Producer:
Susan Downey
Joel Silver
Robert Zemeckis
Production Accountant:
James F. Breithaupt
Production Assistant:
Patrick Galipeau
Production Coordinator:
Maral Hassib
Production Design:
Graham 'Grace' Walker
Production Executive:
Erik Olsen
Production Illustrator:
Phil Shearer
Production Secretary:
Marie-Christine D'Amours
Production Supervisor:
Liz Amsden
Rigging Gaffer:
René Guillard
Rigging Grip:
Brian O'Donnell
Scenic Artist:
Serge Archambault
Script Supervisor:
Joanne T. Harwood
Second Assistant Accountant:
Nathalie Lagacé
Second Assistant Camera:
Jean Kavanagh
Second Assistant Director:
Pierre Brassard
Second Assistant Sound:
Eryne Prine
Second Second Assistant Director:
Angèle Gagnon
Second Unit Director:
Spiro Razatos
Set Decoration:
Marie-Claude Gosselin
Set Designer:
Frédéric Amblard
Set Dresser:
Simon Chamberland
Set Medic:
Denis Proulx
Software Engineer:
John Charles
Sound Designer:
Takeo Ogawa
Sound Editor:
Michael Camello
Sound Effects Editor:
Paul Berolzheimer
Sound Mixer:
Patrick Rousseau
Sound Re-Recording Mixer:
Gary Alexander
Sound Recordist:
Martin Schloemer
Special Effects Assistant:
Marc Auclair
Special Effects Best Boy:
André Laforest
Special Effects Supervisor:
Louis Craig
Special Effects Technician:
Pierre Côté
Still Photographer:
Attila Dory
Storyboard Artist:
Geof Isherwood
Stunt Coordinator:
Steve Lucescu
Stunt Double:
Kym Washington Longino
Stunt Driver:
Dean Copkov
Stunts:
Annie Carignan
Crystal Michelle
Supervising Dialogue Editor:
Lucy Coldsnow-Smith
Supervising Sound Editor:
Richard Adrian
Swing:
Mario Barriere
Third Assistant Director:
Nadine Brassard
Transportation Captain:
Greagrey Waldrop
Transportation Coordinator:
Michel Mollicone
Underwater Camera:
Brent Robinson
Underwater Director of Photography:
Pete Romano
Unit Manager:
Francis Choquette
Unit Production Manager:
Micheline Garant
Unit Publicist:
Joe Everett
Video Assist Operator:
Stephanie Girard Hamelin
Visual Effects:
Steven Fagerquist
Visual Effects Coordinator:
Phillip Moses
Visual Effects Editor:
Edo Brizio
Visual Effects Producer:
Vicki Galloway Weimer
Visual Effects Supervisor:
Cosmas Paul Bolger Jr.
Writer:
Sebastian Gutierrez
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.