A work in constant progress (and occasional regress).
Release Date:
January 4, 2018
Original Title:
27: El club de los Malditos
Genres:
Action | Comedy | Crime | Fantasy
Production Companies:
Boikot Films
Buffalo Films
Cine Argentino
Del Toro Films
INCAA
Production Countries:
Argentina
Ratings / Certifications:
AR: 14
Runtime: 80
Following the death of a musician under suspicious circumstances, a researcher and a music fan examine why rock stars often die at 27.
Administration:
María Belén Dono
Art Direction:
Catalina Oliva
Assistant Costume Designer:
Natalia González
Assistant Director:
Martín Armoya
Assistant Set Designer:
Milagros Garro
Victoria Cachan
Boom Operator:
Cristian Rolon
Lucas Pablo Ulecia Sanz
Camera Operator:
Mariano Suárez
Pablo Parés
Color Grading:
Pablo Parés
Continuity:
Bernardo Bronstein
Costume Design:
Gustavo Alderete
Director:
Nicanor Loreti
Director of Photography:
Mariano Suárez
Editor:
Emanuel Flax
Electrician:
Salvador Berciani
David Sroka Cubero
Matías Moccia
Executive Producer:
Néstor Sánchez Sotelo
Horacio Mentasti
Esteban Mentasti
First Assistant Camera:
Benjamín Delgado
Lucas Timerman
Santiago Abate
Focus Puller:
Benjamín Delgado
Lucas Timerman
Santiago Abate
Gaffer:
Carlos Chango Diaz
Grip:
Emilio Razzetto
Sebastián Navone
Hair Designer:
Barbara Querido
Key Grip:
Mariano Razzetto
Lighting Manager:
Jorge Martínez
Makeup Designer:
Elizabet Gora
Music:
Pablo Sala
Producer's Assistant:
Adrián López
Kutty Canteros
Arelis Ruiz Arias
Production Assistant:
Kutty Canteros
Eduardo Alvarez
Production Design:
Catalina Oliva
Production Director:
Néstor Sánchez Sotelo
Production Manager:
Federico Peña
Production Trainee:
Roy Elfenbaum
Props:
Valentín Carminati
Script Supervisor:
Bernardo Bronstein
Second Assistant Camera:
Federico Jose Casagrande
Second Assistant Director:
Inés Villanueva
Set Designer:
Cecilia Jacquemin
Sound:
Pablo Sala
Sound Designer:
Pablo Sala
Sound Recordist:
Luciana Migliano
Special Effects Coordinator:
Lanfranco Burattini
Special Effects Makeup Artist:
Rebeca Martínez
Special Effects Supervisor:
Alberto Jaceniuk
Special Effects Technician:
Román Kampelmacher
Constanza Pugliese
Hernán Ricci
Steadicam Operator:
Gustavo Triviño
Still Photographer:
Lucas Cheja
Stunt Double:
Nahuel Lozano
Video Assist Operator:
Kaiken Meternicht
Visual Effects:
Juan Solo
Pablo Zamparini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.