A work in constant progress (and occasional regress).
Release Date:
March 5, 1980
Original Title:
L'empreinte des géants
Alternate Titles:
A Marca dos Gigantes
The imprint of giants
Genres:
Action | Drama | Romance
Production Companies:
Filmel
France 3
Rialto Film
Société Nouvelle de Cinématographie
Production Countries:
France | Germany
Ratings / Certifications:
DE: 12 FR: 12
Runtime: 140
The life of workers and their families in a construction site of a highway in 1965.
Adaptation:
Robert Enrico
Art Direction:
Jean-Claude Gallouin
Assistant Camera:
Antoine Galey
Jean-Yves Le Mener
Assistant Director:
Claire Denis
Assistant Editor:
Sheherazade Saadi
Marie-Josée Audiard
Boom Operator:
Bernard Chaumeil
Camera Operator:
Michel Deloire
Chief Lighting Technician:
Roger Parlebas
Cinematography:
Didier Tarot
Costume Design:
Renée Renard
Director:
Robert Enrico
Editor:
Patricia Nény
Hairstylist:
Patrick Archambault
Key Grip:
Marcel Jaffredo
Key Makeup Artist:
Monique Granier
Music:
Karl-Heinz Schäfer
Musician:
Juan José Mosalini
Novel:
Hortense Dufour
Producer:
Eugène Lépicier
Gérard Beytout
Production Assistant:
Tadek Zietara
Production Manager:
Irénée Leriche
Production Secretary:
Danielle Tholomé
Property Master:
Jacques Martin
Script:
Jacqueline Granier-Deferre
Second Assistant Director:
Alain Peyrollaz
Set Decoration:
Pierre Jannic
Sound:
Pierre Gamet
Jean Nény
Sound Assistant:
Bernard Chaumeil
Sound Editor:
Michèle Neny
Sound Mix Technician:
Vincent Arnardi
Sound Mixer:
Jean-Pierre Lelong
Still Photographer:
Jacques Prayer
Unit Production Manager:
Dominique Lallier
Wardrobe Designer:
Hélène Robin
Writer:
François Chevallier
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.