A work in constant progress (and occasional regress).
Release Date:
September 16, 2011
Original Title:
Tinker Tailor Soldier Spy
Alternate Titles:
A Toupeira
Dame König As Spion
El Talp
El talp
El topo
La taupe
O Espião Que Sabia Demais
Suszter szabó baka kém
Szpieg
Tinker Tailor Soldier Spy
Tinker Taylor Soldier Spy
Tinker, Tailor, Soldier, Spy
Дама, поп, асо, шпионин
裏切りのサーカス
裏切りのサーカス:2011
諜影行動
谍影情仇
谍影行动
谍网谜踪
锅匠
锅匠,裁缝,士兵,间谍
间谍疑云
팅커 테일러 솔저 스파이
Genres:
Drama | Mystery | Thriller
Production Companies:
Karla Films
Kinowelt Filmproduktion
Paradis Films
StudioCanal
Working Title Films
Production Countries:
France | Germany | United Kingdom
Ratings / Certifications:
AU: MA15+ BR: 14 CA: 18A DE: 12 DK: 15 ES: 12 FI: K-16 FR: TP|10 GB: 15 GR: Κ-15 HK: IIB HU: 16 éven aluliak számára nem ajánlott IE: 15A IT: T KR: 15 NL: 16 NO: 15 PT: M/12 RU: 16+ SE: 15 US: R
Runtime: 127
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement to uncover a Soviet mole within his former colleagues at the heart of MI6.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Ruslan Ogorodnik
ADR Voice Casting:
Louis Elman
Abigail Barbier
Nick Foley
Armorer:
Christophe Maratier
Béla Gajdos
Art Department Coordinator:
Ayberk Dorukhan Erdogdu
Art Direction:
Pilar Foy
Assistant Costume Designer:
Hilal Sezer
Andrea Cripps
Boom Operator:
Chris Murphy
György Rajna
Orin Beaton
CG Supervisor:
Aron Hjartarson
Cableman:
Márton Kristóf
Camera Operator:
Peter Taylor
Casting:
Jina Jay
Casting Associate:
Dixie Chassay
Costume Design:
Jacqueline Durran
Costume Supervisor:
Dan Grace
Gábor Homonnay
Director:
Tomas Alfredson
Director of Photography:
Hoyte van Hoytema
Dolly Grip:
István Török
Editor:
Dino Jonsäter
First Assistant Editor:
Mark Trend
Foley:
Barnaby Smyth
Gaffer:
Gábor Hevesi
Larry S. Prinz
Alan Martin
Hair Designer:
Felicity Bowring
Hairstylist:
Ildikó Aradi
Key Grip:
Hasan Ormanlar
János Kiss
Key Hair Stylist:
Klári Szinek
Donald McInnes
Key Makeup Artist:
Lizzie Lawson
Ebru Kiziltan
Hildegard Haide
Key Set Costumer:
Klári Riesz
Katalin Ujvari
Nicholas Roche-Gordon
Makeup Designer:
Felicity Bowring
Music Consultant:
Kirsten Lane
Music Editor:
James Bellamy
Music Supervisor:
Nick Angel
Novel:
John le Carré
Original Music Composer:
Alberto Iglesias
Producer:
Robyn Slovo
Tim Bevan
Eric Fellner
Production Design:
Maria Djurkovic
Production Sound Mixer:
John Casali
Property Master:
Tunc Erguden
Chris Cull
Pyrotechnic Supervisor:
Gyula Krasnyánszky
Researcher:
Gail Behrmann
Screenplay:
Peter Straughan
Bridget O'Connor
Script Supervisor:
Libbie Barr
Seamstress:
Rosaria Coppola
Mária Raffai
Second Unit Director of Photography:
Jallo Faber
Set Decoration:
Tatiana Macdonald
Zsuzsa Mihalek
Sound Re-Recording Mixer:
Howard Bargroff
Doug Cooper
Special Effects Supervisor:
Mark Holt
Still Photographer:
Jack English
Stunt Double:
Nellie Burroughes
Supervising Art Director:
Mark Raggett
Tom Brown
Supervising Sound Editor:
Stephen Griffiths
Andy Shelley
Visual Effects Producer:
Sara Trezzi
Nick King
Aimee Dadswell
Visual Effects Supervisor:
Sirio Quintavalle
Fredrik Nord
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.