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Fugue (2018) [N/A]

Release Date:
October 1, 2018

Original Title:
Fuga

Alternate Titles:
낯선 여행

Genres:
Thriller

Production Companies:
Axman Production
Common Ground Pictures
Film i Väst
Magiclab
Mazowiecki i Warszawski Fundusz Filmowy
Mental Disorder 4
Odra-Film

Production Countries:
Czech Republic | Poland | Sweden

Ratings / Certifications:
PL: 16  SE: 11 

Runtime: 102

She can't recall her life. She will live it again.

Overview from TheMovieDB

Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and daughter.

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Additional information:

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Trailer

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Performers

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Production

ADR & Dubbing:
Sebastian Łach
Magdalena Kaczmarczyk

ADR Editor:
Jacek Szyba

ADR Recordist:
Michał Kosterkiewicz

Accountant:
Katarzyna Białecka-Redkie
Dorota Altewęgier

Additional Lighting Technician:
Sławomir Grinka

Additional Music:
Marcin Lenarczyk

Administration:
Jolanta Kłosińska
Patrycja Górska
Hanna Gajda

Animation:
Julia Mirny
Aleksandra Sidor
Michał Dorosz

Art Direction:
Jagna Dobesz
Katarzyna Jędrzejczyk

Assistant Director:
Kordian Kądziela
Anne-Sophie Puget

Assistant Makeup Artist:
Agata Winnicka
Agata Lipińska
Marcelina Sroczyńska

Assistant Production Design:
Aleksandra Sidor

Assistant Production Manager:
Beata Lejbik

Assistant Property Master:
Damian Stój
Piotr Sobowiec
Tomasz Jaremko
Grzegorz Greszta

Camera Operator:
Michał Dymek
Zbigniew Szukała

Casting:
Żywia Kosińska

Catering:
Marek Kraśnicki

Choreographer:
Kaya Kołodziejczyk

Co-Producer:
Jonas Kellagher
Michal Křeček
Tomas Eskilsson

Costume Assistant:
Ada Komerska
Olga Krzywkowska

Costume Design:
Monika Kaleta

Dialogue Editor:
Adam Szlenda

Director:
Agnieszka Smoczyńska

Director of Photography:
Jakub Kijowski

Editor:
Jarosław Kamiński

Editorial Staff:
Sebastian Korwin-Kulesza

Grip:
Rafał Kołodziej
Tomasz Sternicki
Martin Mrázek
Michal Ráliš

Interior Designer:
Paulina Korwin-Kochanowska

Key Grip:
Pavel Proisl
Jarosław Pawłowski

Key Makeup Artist:
Monika Kaleta

Line Producer:
Kamila Kuś

Makeup Artist:
Joanna Chudyk

Master Lighting Artist:
Piotr Kryska
Konrad Pruski

Music Consultant:
Paweł Juzwuk

Music Supervisor:
Marcin Lenarczyk

Original Music Composer:
Filip Míšek

Producer:
Dagmara Piasecka
Karla Stojáková
Agnieszka Kurzydło

Producer's Assistant:
Dagmara Piasecka

Production Coordinator:
Patrycja Kycia
Hanna Janocha

Production Design:
Jagna Dobesz

Production Manager:
Kateřina Doležalová

Property Master:
Rafal Supranionek

Props:
Karina Sygowska

Script:
Beata Krękiewicz
Dominika Nowakowska

Script Consultant:
Maciej Sobieszczański
Magnus von Horn
Janusz Margański
Adam Walsh
Greg Zglinski
Sławomir Fabicki

Set Designer:
Paulina Korwin-Kochanowska

Sound Designer:
Niklas Skarp

Sound Director:
Niklas Skarp

Sound Effects Editor:
Anders Kwarnmark

Sound Mixer:
Sebastian Witkowski

Sound Re-Recording Mixer:
Marcin Lenarczyk
Sebastian Witkowski

Sound Supervisor:
Marcin Lenarczyk

Special Effects:
Jan Strumiłło
Wanda Tatucha-Kędzierzawska

Steadicam Operator:
Adam Mendry
Martin Točka
Sławomir Wierzbicki
Tomasz Karnowski

Still Photographer:
Krzysztof Wiktor
Karolina Jonderko
Łukasz Niewiadomski

Storyboard:
Teresa Czepiec

Stunt Coordinator:
Grzegorz Jurek

Stunts:
Paweł Pliszka
Robert Brzeziński Jr.
Krzysztof Sztabiński
Piotr Granica
Agnieszka Pawłowska

Title Designer:
Kacper Zamarło

Translator:
Michał Zagroba
Kinga Krzemińska
Joanna Skrzypiec
Ryszard Rabś
Maya Szymanowska
Anne-Sophie Puget
Zuzanna Gruszczyńska

Visual Effects Coordinator:
Lucie Kostková

Visual Effects Supervisor:
Michal Křeček
Jiri Forejt

Writer:
Gabriela Muskała

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.