A work in constant progress (and occasional regress).
Release Date:
November 24, 2015
Original Title:
Les apprentis sorciers du climat
Alternate Titles:
Les apprentis sorciers du climat
Vädermakarna
Genres:
Documentary
Production Companies:
ARTE France Cinéma
Artline Films
Production Countries:
France
Ratings / Certifications:
DE: 6 FR: 10
Runtime: 85
The Cold War's wildest dreams of climate control have made a spectacular comeback: from the USA to China, 'geo-engineers' promise to make climate change the way we want. And they have found powerful supporters among lobbyists and entrepreneurs. This film is an investigation into the world-wide boom in geo-engineering. How did a pseudo-science with a controversial past become a planet-wide research subject?
Additional Camera:
Victor Lévy-Lasne
Jack Burton
Philip Koepsell
Zhichao Liu
Qianjun Liu
Additional Editing:
Stéphane Foucault
Additional Photography:
Pierre Bourgeois
François-Joseph Botbol
Robin Gaussé
Animation:
Alexandrine Wagner
Jean-Jacques Lonni
Jean-Yves Castillon
Director:
Pierre Oscar Lévy
Director of Photography:
Mathieu Pansard
Documentation & Support:
Laure Régnier
Polly Pettit
Damien Dubuc
Anne Loussouarn
Victor Belyakov
Anne de Malleray
Editor:
Stéphanie Boring
Executive Producer:
Benjamin Landsberger
Producer:
Olivier Mille
Production Director:
Cécile Croizat
Alice Doyard
Sound Editor:
Benoît Gargone
Sound Mixer:
Stéphane Larrat
Sound Recordist:
Fred Runner
Yasin Salazar
Xavier Griette
Sara Lima
Joël Flescher
Christian Berthier
Denis Gross
Scott Kinzey
Translator:
Marlene Goetz
Guenola François
Camille Kramer-Courbariaux
Li-Chen Kuo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.