A work in constant progress (and occasional regress).
Release Date:
January 14, 2019
Original Title:
Das Ende der Wahrheit
Alternate Titles:
Das dritte Sterben
Genres:
Drama | Thriller
Production Companies:
ARTE
Hellinger / Doll Filmproduktion
Walker & Worm Film
ZDF
Production Countries:
Germany
Ratings / Certifications:
BR: 16 DE: 16 JP: R18+
Runtime: 105
Martin Behrens is a Middle East expert for the German intelligence agency BND. He obtains information leading to a U.S. drone strike on a wanted terrorist in Zahiristan. A few days later, there's a terrorist attack on a restaurant – the video claiming responsibility calls it payback for the drone strike. Freelance journalist Aurice, with whom Martin was having an affair, is among the victims – she was investigating corruption at the heart of the BND. Martin soon has to realize that in a world where big corporations profit from arms deals as well as from homeland security contracts, good and evil are sometimes hard to tell apart.
ADR Mixer:
Jan Meyerdierks
Andreas Drost
Christoph Oertel
Cinematography:
Christian Stangassinger
Co-Producer:
Lothar Hellinger
Christopher Doll
Costume Design:
Anna Wübber
Digital Colorist:
Sebastian Göhs
Director:
Philipp Leinemann
Editor:
Max Fey
First Assistant Director:
Tobias Joosten
Foley Artist:
Jörg Klinkenberg
Foley Editor:
Wolfgang Liebig
Foley Mixer:
Jean-Marie Gilles
Key Makeup Artist:
Hanna Hackbeil
Makeup Artist:
Christina Birnbaum
Original Music Composer:
Sebastian Fillenberg
Producer:
Tobias Walker
Philipp Worm
Production Design:
Petra Albert
Production Sound Mixer:
Uve Haussig
Second Assistant Director:
Anastasia Semesch
Sound Mixer:
Gregor Bonse
Steadicam Operator:
Markus Eckert
Still Photographer:
Bernd Schuller
Stunts:
Alrik Kreemke
Hannes Pastor
Fred Hady
Daniel Medina
Supervising Sound Editor:
Gregor Junghans
Writer:
Philipp Leinemann
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.