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In the Aisles (2018) [N/A]

Release Date:
May 24, 2018

Original Title:
In den Gängen

Alternate Titles:
In the Aisles
In the Aisles (In den Gängen)
Liebe in den Gängen
Une valse dans les allées
Между полок
Между стеллажей
Між рядами
در راهروها
인 디 아일

Genres:
Drama

Production Companies:
ARD
Departures Film
Rotor Film Babelsberg
Sommerhaus Filmproduktion

Production Countries:
Germany

Ratings / Certifications:
AT: 12  BR: 12  CH: 12  DE: 12  GR: Κ  JP: G  KR: 15  MD: 12  NL: 12  RU: 16+  SK: 15 

Runtime: 125

Overview from TheMovieDB

Christian, a reclusive young man from Leipzig, gets a job working the night shift at a big-box store. He's trained to stocks goods and operate a forklift by Bruno, a wistful former truck driver, who introduces Christian to a colorful group of overnight workers, including Marion, with whom Christian develops a troubled infatuation.

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Performers

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Production

Art Direction:
Daniela Grömke

Casting:
Anja Dihrberg
Luise Eigner
Karen Wendland

Cinematography:
Peter Matjasko

Co-Producer:
Undine Filter
Martin Frühmorgen
Thomas Král

Commissioning Editor:
Meike Götz

Costume Design:
Juliane Maier
Christian Röhrs

Development Producer:
Julia Wagner

Director:
Thomas Stuber

Editor:
Kaya Inan

First Assistant Camera:
Simon Hamann

First Assistant Director:
Meno Sellschopp

Foley Artist:
Jörg Klinkenberg

Line Producer:
Sophie Cocco
Michael Jungfleisch

Makeup Artist:
Marika Knappe

Music Coordinator:
Milena Fessmann

Producer:
Jochen Laube
Fabian Maubach

Production Design:
Jenny Roesler

Second Assistant Camera:
Stefan Baltz

Second Assistant Director:
Matthias Börner

Set Decoration:
Maria Klingner

Short Story:
Clemens Meyer

Sound:
Christoph Schilling

Stunt Coordinator:
René Lay

VFX Production Coordinator:
Marco Muñoz

Writer:
Clemens Meyer
Thomas Stuber

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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