A work in constant progress (and occasional regress).
Release Date:
March 14, 2019
Original Title:
The Parts You Lose
Alternate Titles:
Kayıp Yabancı
The Parts You Lose (2019)
Тот‚ кто меня слышит [The Parts You Lose (2018)]
שומר שתיקה
你失去的部分
더 파츠 유 루즈
Genres:
Crime | Drama | Thriller
Production Companies:
Samuel Goldwyn Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 FR: 12 GB: 12 PL: 16 RU: 16+
Runtime: 94
An unlikely friendship unfolds between a young deaf boy, Wesley, and a fugitive criminal who takes refuge in an abandoned barn on the family’s rural North Dakota farm.
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Art Direction:
Khali Wenaus
Assistant Makeup Artist:
Kristy Greig
Associate Producer:
Sami Tesfazghi
Co-Producer:
Brendon Sawatzky
Ian Dimerman
Costume Design:
Heather Neale
Director:
Christopher Cantwell
Director of Photography:
Evans Brown
Editor:
Heather Persons
Executive Producer:
Audrey Delaney
Kenneth Huang
Todd Slater
Paula van der Oest
Nic Crawley
Douglas Jones
Lisa Gutberlet
First Assistant Director:
Reed Makayev
Foley Artist:
Tapio Liukkonen
Foley Editor:
Tapio Liukkonen
Foley Mixer:
Tapio Liukkonen
Key Hair Stylist:
Stacey Mendoza
Makeup Artist:
Kim Wright
Makeup Department Head:
Doug Morrow
Music:
Bleeding Fingers Music
Original Music Composer:
Austin Fray
Producer:
Tom Williams
Aaron Paul
Mark Johnson
Production Design:
Réjean Labrie
Production Sound Mixer:
Brock Capell
Screenplay:
Darren Lemke
Sound Supervisor:
Kelly Cole
Special Effects Assistant:
Davin MacRae
Special Effects Coordinator:
Casey Markus
Jason Wilkins
Stunt Coordinator:
Kristen Sawatzky
Supervising Sound Effects Editor:
Susan Cahill
Thanks:
David Kurs
Third Assistant Director:
Veronica Tulloch
Title Designer:
Aaron Becker
Visual Effects Coordinator:
Kimberley Walker
Visual Effects Supervisor:
Rob Geddes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.