A work in constant progress (and occasional regress).
Release Date:
February 25, 2011
Original Title:
Hall Pass
Alternate Titles:
B.A.T (bon à tirer)
B.A.T. - Bon à tirer
Bon tirer
Bon à tirer
Concediu de la casnicie
Pase libre
Rédea Solta
ホールパスかえってきたゆめのどくしんせいかついっしゅうかんげんてい
ホール・パス 帰ってきた夢の独身生活<1週間限定>
偷情许可证
放风通行证
Genres:
Comedy | Romance
Production Companies:
Conundrum Entertainment
New Line Cinema
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BG: C BR: 14 CH: 12 DE: 12 DK: 11 ES: 12 FI: K-12 FR: U GB: 15 HU: 18 IE: 16 IT: VM14 JP: G NL: 12 PL: 18 RO: 15 SK: 15 US: R
Runtime: 105
When best buds Rick and Fred begin to show signs of restlessness at home, their wives take a bold approach to revitalize their marriages, they grant the guys a 'hall pass'—one week of freedom to do whatever they want. At first, it seems like a dream come true, but they quickly discover that their expectations of the single life—and themselves—are completely and hilariously out of sync with reality.
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ADR Mixer:
Thomas J. O'Connell
Additional Camera:
Robert Carnevale
Additional Editor:
Larry Madaras
Art Department Coordinator:
Stacie McKinnon
Art Direction:
Dan Morski
Assistant Location Manager:
Stephen Dirkes
Assistant Property Master:
Shawn M. Gray
Associate Producer:
Ellen Dumouchel
Best Boy Grip:
Riko Schatke
Boom Operator:
Drew Ponder
Camera Operator:
Jacques Jouffret
Michael St. Hilaire
Casting:
Rick Montgomery
Casting Associate:
Jason James
Chief Lighting Technician:
Dan Cornwall
Co-Producer:
Mark Charpentier
John Rickard
J.B. Rogers
Kris Meyer
Construction Coordinator:
Jay Womer
Costume Design:
Denise Wingate
Costume Supervisor:
Hope Slepak
Costumer:
Sarah Downer
Heather Sease
Sandra Collier
Dialogue Editor:
John C. Stuver
Director:
Bobby Farrelly
Peter Farrelly
Director of Photography:
Matthew F. Leonetti
Dolly Grip:
Gary Kelso
Darryl Humber
Editor:
Sam Seig
Executive Producer:
Toby Emmerich
Marc S. Fischer
Merideth Finn
Richard Brener
First Assistant Camera:
Jeffrey N. Civa
Fred L. McLane
First Assistant Director:
J.B. Rogers
First Assistant Editor:
David Raymond
Foley Artist:
John Roesch
Alyson Dee Moore
Foley Editor:
Patrick Cusack
Hair Department Head:
Joani Yarbrough
Hairstylist:
Geraldine Jones
T.A. Henderson
Linda Thompson
Key Grip:
C. Alan Rawlins Sr.
Key Hair Stylist:
Vanessa Davis-Kaib
Key Makeup Artist:
Susan Ransom
Leadman:
Shane Reed
Location Coordinator:
Erin G. Fuller
Location Manager:
Maida N. Morgan
Makeup Artist:
Patty York
Stephanie Ponder
Nico Sohn
Makeup Department Head:
Sarah Mays
Music Coordinator:
Jonathan Leahy
Music Editor:
Ronald J. Webb
Music Supervisor:
Tom Wolfe
Manish Raval
Negative Cutter:
Gary Burritt
Original Music Composer:
Rolfe Kent
Producer:
Bobby Farrelly
Peter Farrelly
Charles B. Wessler
Bradley Thomas
Production Accountant:
Sheila Allen
Production Coordinator:
Day Permuy
Production Design:
Arlan Jay Vetter
Production Secretary:
Haley Billue
Production Sound Mixer:
Mary H. Ellis
Production Supervisor:
Adam McCarthy
Property Master:
Michael Sabo
Props:
Adam Miller
Rigging Gaffer:
Mike Tyson
Screenplay:
Pete Jones
Peter Farrelly
Bobby Farrelly
Kevin Barnett
Script Supervisor:
Martin Kitrosser
Second Assistant Camera:
Trey Twitty
Hugh Braselton
Second Assistant Director:
Greg Guzik
Second Second Assistant Director:
John Bonaccorse
Second Unit Director:
Mark Steilen
Set Costumer:
Kate Duke
K. Drew Fuller
Elizabeth McEntire Williams
Set Decoration:
Cindy Carr
Set Designer:
Masako Masuda
Set Dresser:
Mark Keever
Andy Rusk
Ryan Kutch
Javed Noorullah
James Vasilovic
Sound Effects Editor:
Stephen P. Robinson
George Haddad
Steven F. Nelson
Glynna Grimala
Sound Re-Recording Mixer:
Brad Sherman
Steve Pederson
Special Effects Coordinator:
Robert Vazquez
Still Photographer:
Peter Iovino
Story:
Pete Jones
Stunt Coordinator:
Tierre Turner
Stunts:
John Cenatiempo
Madison Turner
Matt McColm
Richard Bucher
Jay Pearson
Jonathan Arthur
Haley Nott
Ashley Rae Trisler
Anderson Martin
Todd Warren
Jason Silvis
Scott Dale
Michael Trisler
Dain Turner
Connor O'Malley
Supervising ADR Editor:
Nancy Nugent
Supervising Dialogue Editor:
Nancy Nugent
Supervising Music Editor:
Fernand Bos
Supervising Sound Editor:
Andrew DeCristofaro
Supervising Sound Effects Editor:
Michael Payne
Swing:
Burt Welleford
Transportation Captain:
Robert Brubaker
Transportation Coordinator:
Bob Foster
Unit Production Manager:
Marc S. Fischer
Unit Publicist:
John M. Pisani
Visual Effects Producer:
Brian Drewes
Mary Stuart
Visual Effects Supervisor:
Richard Malzahn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.