A work in constant progress (and occasional regress).
Release Date:
January 1, 2014
Original Title:
Man From Tomorrow
Production Companies:
Axis Records
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 40
The film is by Jacqueline Caux, a French director whose work often touches on experimenters in modern and contemporary music, including the 2007 Detroit techno documentary The Cycles Of The Mental Machine. According to the press release, her latest film is less a straightforward profile of the inventive Detroiter than an impressionistic piece that draws on the mood and thematic underpinnings of his work. Man From Tomorrow is divided into two parts: the first part sets images to Mills' exclusive score for the film and features no dialog, and the second uses quotes pulled from interviews the director conducted with him. The director says there's no straightforward narrative or message in the film, though we should expect lots of the sci-fi futurism we've come to expect from Mills; as she puts it, "I wanted to give free reign to the viewer’s subjective impressions and physical sensations."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.