A work in constant progress (and occasional regress).
Release Date:
December 5, 1997
Original Title:
Good Will Hunting
Alternate Titles:
Buntownik z Wyboru
Den gode Will Hunting
Dobri Vil Hanting
En busca del destino
Good Will Hunting – Der gute Will Hunting
O xehoristos Will Hunting
Sippuro Shel Will Hunting
Will Hunting
Will Hunting - syntynyt neroksi
Ο Ξεχωριστός Γουίλ Χάντινγκ
סיפורו של וויל האנטינג
ตามหาศรัทธารัก
グッド・ウィル・ハンティング/旅立ち
グッド・ウィル・ハンティング/旅立ち:1997
心灵捕手
心理捕手
骄阳似我
굿 윌 헌팅
굿윌 헌팅
굿윌헌팅
Genres:
Drama
Production Companies:
Be Gentlemen Limited Partnership
Lawrence Bender Productions
Miramax
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 12+ DE: 12 DK: 11 ES: A FI: K-12 FR: U GB: 15 GR: 12 HU: 18 IE: 15 IT: T JP: R18+ KR: 15 NL: 12 NO: 12 PT: M/12 RO: 18 SE: 11 US: R
Runtime: 127
When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back.
ADR Mixer:
Doc Kane
ADR Recordist:
Mike Boudry
Art Direction:
James McAteer
Assistant Costume Designer:
Vanessa Vogel
Assistant Editor:
D-J
Assistant Sound Editor:
Concha Solano
Best Boy Grip:
Malcolm Nefsky
Camera Operator:
Brian Heller
Casting:
Billy Hopkins
Kerry Barden
Suzanne Smith Crowley
Casting Associate:
Jennifer McNamara
Co-Executive Producer:
Kevin Smith
Scott Mosier
Co-Producer:
Chris Moore
Color Timer:
Mike Mertens
Costume Design:
Beatrix Aruna Pasztor
Dialect Coach:
Robert Easton
Dialogue Editor:
David A. Cohen
Director:
Gus Van Sant
Director of Photography:
Jean-Yves Escoffier
Dolly Grip:
Tracy Shaw
Driver:
Greg O'Hara
Editor:
Pietro Scalia
Electrician:
Mark J. Casey
Executive Producer:
Jonathan Gordon
Su Armstrong
Harvey Weinstein
Bob Weinstein
First Assistant Director:
Andrew Shea
First Assistant Editor:
Kelley Dixon
Foley Artist:
Jennifer Myers
Margie O'Malley
Marnie Moore
Foley Recordist:
Frank Rinella
Gaffer:
Bryan Forde
Grip:
Daryl Tucker
Hairstylist:
James D. Brown
Elizabeth Cecchini
Intern:
Stephen L'Heureux
Key Grip:
Mark Manchester
Location Manager:
Mark Fitzgerald
David McIlroy
Makeup Artist:
Leslie A. Sebert
Music Editor:
Kenneth Karman
Music Supervisor:
Jeffrey Kimball
Negative Cutter:
Gary Burritt
Original Music Composer:
Danny Elfman
Post Production Consulting:
Heidi Vogel
Post Production Supervisor:
Pamela Winn-Barnett
Robert Hackl
Producer:
Lawrence Bender
Production Accountant:
April A. Janow
Production Coordinator:
Vair Macphee
Production Design:
Missy Stewart
Property Master:
Marc Corriveau
Rigging Gaffer:
Herb Reischl Jr.
Script Supervisor:
Gus Van Sant
Second Assistant Director:
Lisa Janowski
David Till
Set Costumer:
Gerri Gillan
Marcia Scott
Set Decoration:
Jaro Dick
Songs:
Elliott Smith
Sound Editor:
Patrick Winters
Michael "Gonzo" Gandsey
Richard Moore
Sound Re-Recording Mixer:
Gus Van Sant
Tom E. Dahl
Leslie Shatz
Sound mixer:
Owen Langevin
Special Effects:
William 'Billy Jack' Jakielaszek
Special Effects Coordinator:
Brian Ricci
Still Photographer:
George Kraychyk
Stunt Coordinator:
Jery Hewitt
Supervising Sound Editor:
Kelley Baker
Thanks:
Peter Yates
Terrence Malick
Edward Zwick
William Goldman
Richard Linklater
Third Assistant Director:
Jennifer Deathe
Title Designer:
Pablo Ferro
Transportation Captain:
Stuart Mitchell
Transportation Coordinator:
Dave Staples
Unit Production Manager:
Brent O'Connor
Christopher Goode
Unit Publicist:
Prudence Emery
Utility Stunts:
Brian Ricci
Wardrobe Supervisor:
Delphine White
Writer:
Matt Damon
Ben Affleck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.