A work in constant progress (and occasional regress).
Release Date:
October 20, 1995
Original Title:
Never Talk to Strangers
Alternate Titles:
Never Talk to Strangers - Spiel mit dem Feuer
Nunca hables con extraños
Незнакомец
Genres:
Romance | Thriller
Production Companies:
Alliance Films
Elite Film
TriStar Pictures
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
CZ: 15+ DE: 16 HU: 16 JP: R18+ US: R
Runtime: 86
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.
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ADR Editor:
Jeremy MacLaverty
ADR Recordist:
Darcy Kite
Jack Heeren
Todd Warren
Additional Editing:
Susan Shipton
Marcus Manton
Additional Photography:
Harry Lake
Additional Sound Re-Recording Mixer:
Scott Purdy
Assistant Accountant:
Taylor Turzanski
Greg Eby
Assistant Editor:
Dov Samuel
Joanne Harland
Liz Roe
Assistant Foley Artist:
Paul Fox
James A. Gore
Gina Gyles
Assistant Hairstylist:
Kai Marks
Assistant Location Manager:
Martin Dzatko
Assistant Makeup Artist:
Lisa Rankine
Assistant Production Coordinator:
Natalie Card
Seana O'Neill
Assistant Property Master:
Asunta Blair
Assistant Sound Editor:
Ed Douglas
Roderick Deogrades
Michelle Kaminer
Sandrine Isabelle
Janice Ierulli
Daniel Hamood
Associate Producer:
Tom Willey
Roberto Silvi
Best Boy Electric:
Anthony Ramsey
Best Boy Grip:
Neil Fraser
Boom Operator:
Craig Baker
Casting:
Jon Comerford
Casting Associate:
Susannah Coneybeare
Chief Lighting Technician:
Ian Bibby
Co-Producer:
Ralph S. Dietrich
Jean Desormeaux
Harald Reichebner
Construction Coordinator:
Fred Mendelson
Costume Design:
Terry Dresbach
Dialogue Editor:
Sue Conley
Dale Sheldrake
Director:
Peter Hall
Director of Photography:
Elemér Ragályi
Dolly Grip:
Imre Sisa
Editor:
Roberto Silvi
Executive Producer:
Robert Lantos
Rebecca De Mornay
Barbet Schroeder
Extras Casting:
Nancy Botting-Harrison
First Assistant Art Direction:
Kathleen Climie
First Assistant Camera:
Tony Guerin
First Assistant Director:
Myron Hoffert
First Assistant Editor:
Cherie MacNeill
Lee Michael Searles
Focus Puller:
Tony Guerin
Foley Artist:
Peter McBurnie
Andy Malcolm
Terry Burke
Foley Recordist:
David Rose
Tony Van den Akker
Christian T. Cooke
Key Grip:
Mark Silver
Key Hair Stylist:
Lana Chirco
Key Makeup Artist:
Desne J. Holland
Key Scenic Artist:
Stephen Willetts
Lead Set Dresser:
Elizabeth Calderhead
Doug McCullough
Location Manager:
Derek Brady
Location Production Assistant:
Chris Shaw
Music Consultant:
Alan Anton
Music Editor:
Yuri Gorbachow
Original Music Composer:
Pino Donaggio
Post Production Accountant:
Aileen Bell
Post Production Coordinator:
Samantha Dubiel
Reva Smilkstein
Corrina Holunga
Esther Behar
Post Production Supervisor:
Gregor Hutchison
Producer:
András Hámori
Jeffrey R. Neuman
Martin Wiley
Production Accountant:
Joanne Jackson
Production Assistant:
Neil Olsen
Avi Federgreen
Anna Beben
Production Coordinator:
Lynn Mallay
Production Design:
Linda Del Rosario
Richard Paris
Property Master:
Robert Blair
Prosthetics:
Don McCloud
Greg Nicotero
Screenplay:
Lewis A. Green
Jordan Rush
Script Supervisor:
Joanne T. Harwood
Second Assistant Camera:
Jayson Clute
Second Assistant Director:
Simon Board
Set Decoration:
Richard Paris
Sound Effects Editor:
Jane Tattersall
David McCallum
Sound Mixer:
Chaim Gilad
Sound Re-Recording Mixer:
David Appleby
Don White
Tim O'Connell
Special Effects:
Brock Jolliffe
Special Effects Supervisor:
Frank C. Carere
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Rick Forsayeth
Stunts:
Sue Parker
Jamie Jones
Matt Birman
Supervising Sound Editor:
Jane Tattersall
Third Assistant Director:
Rob Fowler
Transportation Captain:
Dennis Kuss
Transportation Coordinator:
Orest W. Muz
Unit Production Manager:
Dennis Chapman
Unit Publicist:
Prudence Emery
Visual Effects Supervisor:
Jon Campfens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.